Results
-
£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
-
£120.40Intermissions - Daniele Carnevali
This piece was commissioned by the organising committee of the "La Prime Luz 1812" national band contest, held in Bertiolo (Udine), as the compulsory piece for category A. It consists of three movements and, rated as a first international category or national excellence grade piece, it requires the appropriate variety of timbres and instrumentalists with the necessary skills. The themes, enhanced by the use of unusual tones and compound beats, are often broken, interrupted: hence the title of the piece, intermissions, meaning interruptions. The unifying element is the musical language that, through the use of artificial modes and fourths, seeks to create a balance between tensions of differing intensity and nature.
Estimated dispatch 7-14 working days
-
£75.00Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 7-14 working days
-
£82.50Cambridge Park Overture - David Gorham
You are sure to please and delight everyone when you open your performance with this rhythmic and joyful selection. It sounds much more advanced that it actually is and is ideal for festival/contest performance situations. (5 minutes 12 seconds)
Estimated dispatch 7-14 working days
-
£71.50Bell Tower - David Gorham
This unique, beautiful, quiet composition introduces the concept of "bell tones" and legato playing to the young musicians. It is a most effective teaching piece, and at the same time it is a wonderful, enjoyable addition to any concert. Bells have been an important part of many different cultures, and historically were a major means of communication. ( 1 minute 50 seconds)
Estimated dispatch 7-14 working days
-
£104.50Honey Boys On Parade - Edward Victor Cupero
This is the best known of the many works written by E.V. "Honey Boy" Cupero during his successful career as a cornetist, band leader, music director, arranger, and composer. First published in 1914, it is a classic example of marches from this era, and it was very popular with American minstrels and circuses.
Estimated dispatch 7-14 working days
-
£121.00Third Vortex - Roland Barrett
From the creative pen of this talented young composer, we have Barretts latest contribution to the exciting contemporary literature for band. While not technically difficult, this work is extremely effective, as it presents four contrasting musical sections beginning with The Summoning, which opens with a very commanding tutti entrance that evolves into a quieter, mysterious section, then develops with a sense of urgency into a very strong dynamic ending. This is followed by Fear, a dramatic section with extensive use of percussion, leading to The Eye of the Vortex, beginning quietly, as it starts to develop to a great dynamic climax followed immediately by a serene quietness that leads to the final section, Fury, ending with a dramatic and furious finale. An exceptional, adventuresome new work!
Estimated dispatch 7-14 working days
-
£121.00Flight - Claude T. Smith
Flight is the official march of the Air and Space Museum in Washington, DC. It was commissioned by the Air Force Band in 1984 and was premiered by the organization in November of that year. Their recording can be still heard as visitors enter the museum. A highly descriptive work, it incorporates the Pachelbel Canon by request in the opening section before the brass introduces a soaring theme. Sweeping reeds, active percussion and melodic brass are featured in preparation for a most electrifying 6/8 section. Brass fanfares of particular brilliance bring the work to its exciting conclusion.
Estimated dispatch 7-14 working days
-
£104.50In Storm and Sunshine - John Clifford Heed
John Clifford Heed (1862-1908) was known as the "March Wizard," and has more than 60 published marches to his credit. In Storm and Sunshine was one of his earliest works, and it remains his most popular work to this day. It has all the ingredients for a great march, and this new edition by the former director of the U.S. Marine Band provides a fresh new approach to the long time favorite.
Estimated dispatch 7-14 working days
-
£71.50White River Ballad - David Gorham
It is easy to imagine the quiet, beautiful river, with its great trees and lush vegetation, flowing downstream. This music depicts a fascinating journey, at times gaining momentum as the stream twists through the various bends, and increasing or decreasing in speed as the river channel gets deeper or shallower, or gets wider or narrower. A beautiful, romantic journey that eventually ends as serenely as it began.
Estimated dispatch 7-14 working days