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  • £145.00

    Searching for Lost Dreams (Windependence Concert Band - Score and Parts) - Wilson, Dana

    As I began this piece, it was as though I were entering a dream. The music was atmospheric, undefined, and somewhat disorienting. Gradually the material became more focused, but just in time to switch to a very different--though related--sound world, which became the second movement. The overall poignancy, varied sound worlds and dramatic shape of the music suggested the title. - Dana Wilson Duration: 8:00

    Estimated dispatch 7-14 working days
  • £44.95

    Trumpet Concerto (Concert Band - Score and Parts) - Neruda, Johan Baptist - Phillips, Richard

    Johan Baptist Georg Neruda was a classical composer born in Bohemia which is now part of the Czech Republic. Very little is known about this composer other than he had a good reputation as a violinist and conductor in Prague and Germany and became the Konzertmeister of the Dresden Court Orchestra.This concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.

    Estimated dispatch 7-14 working days
  • £8.95

    Trumpet Concerto (Concert Band - Score Only) - Neruda, Johan Baptist - Phillips, Richard

    Johan Baptist Georg Neruda was a classical composer born in Bohemia which is now part of the Czech Republic. Very little is known about this composer other than he had a good reputation as a violinist and conductor in Prague and Germany and became the Konzertmeister of the Dresden Court Orchestra.This concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.

    Estimated dispatch 7-14 working days
  • £75.00

    London Salute (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul

    London Salute was written to mark the sixtieth anniversary of the BBC and first performed in a broadcast by the BBC Concert Orchestra. It is a march-like evocation of the capital, very much as an outsider would see it, all hustle and bustle, with ceremonial and tradition around every corner. Whether the concert version or the marching band version, this march is a "must" for every band library!

    Estimated dispatch 7-14 working days

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  • £85.00

    Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek

    Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £84.99

    Animal Kingdom Wind Band Set (Score & Parts)

    In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30

    Estimated dispatch 7-14 working days

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  • £59.99

    Eine Kleine Morgenmusik Wind Band Set (Score & Parts) - Fraser, Bruce

    An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert. 02:30

    Estimated dispatch 7-14 working days

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  • £184.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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  • £44.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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  • £189.99

    Spotlights (Concert Band - Score and Parts)

    Spotlights is a fantastic virtuoso piece for saxophone quartet (SATB) and concert band that was commissioned by the outstanding Austrian saxophone quartet Mobilis. It is an impressive and exceptionally spectacular piece in which every member of the saxophone family is featured. The most important ingredients of this solo work are virtuosity, rhythm and a good dollop of funk. It is a challenging, but rewarding piece for your saxophone soloists and yet very accessible to the audience. 11:00

    Estimated dispatch 7-14 working days

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