Results
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£72.99NATURE'S WAY (BandQuest) - Schuller, Gunther
From the composer: "Nature's Way for intermediate level band was commissioned by BandQuest, a project initiated by the American Composers Forum. Their mission is for major composers of national reputation to write works of high quality that take into consideration the (still comparatively limited) levels of musical development--both technical and conceptual--typical of such ensembles. I eagerly accepted the commission and the challenges implied thereby--that is, to reign in my creative imagination to some extent and limit the technical/conceptual demands to a more moderate level than is to be found in my previous compositions for band. Nonetheless, since the process of rehearsing, studying and performing a work created specifically for the school student market is--and must be, in my view--primarily educational, it was very clear to me that my work would (and should) challenge the players at least to their top levels, and even a little beyond that. Thus Nature's Way in no way represents a compromise of my personal style, nor my long held concepts of form, continuity, texture, and instrumentation. I have known for a long time that young, inquisitive minds are eager to learn from new experiences, from previously never encountered challenges, that is to say, to be pushed--gently--to rise above their present levels of achievement. That's what education is all about."
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£118.99Inferno - Sven Van Calster
On 25th May 2011 a huge fire broke out in the Kalmthoutse Heath nature reserve north of Antwerp. Within a very short time more than 600 hectares of heath land went up in flames. The effect on the surrounding environment was huge. The fire left deepscars affecting the residents, those responsible for heath land, and also the members of the fire brigade who for several days risked their lives to fight the fire.The composition Inferno begins majestically and on a huge scale, exactly as theKalmthoutse Heath is. Soon a theme is introduced into the work in which the magnificent beauty of nature can be heard. We then hear the fires on the heath set to music. Even thefire helicopter can be heard, together with the first discussions thattook place after the alarm was raised with the Kalmthoutse fire brigade.One fact remains at the centre of this work, however: the natural beauty and splendour of the heath landscape. This is expressed at the start of the work in a theme that recursthroughout the piece. Towards the end it is finally replaced by a peaceful conclusion, representing the hope for a speedy regeneration of this wonderful nature reserve. Download the audio file from the 'Attachments'.
Estimated dispatch 7-14 working days
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£145.00Searching for Lost Dreams (Windependence Concert Band - Score and Parts) - Wilson, Dana
As I began this piece, it was as though I were entering a dream. The music was atmospheric, undefined, and somewhat disorienting. Gradually the material became more focused, but just in time to switch to a very different--though related--sound world, which became the second movement. The overall poignancy, varied sound worlds and dramatic shape of the music suggested the title. - Dana Wilson Duration: 8:00
Estimated dispatch 7-14 working days
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£75.00London Salute (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
London Salute was written to mark the sixtieth anniversary of the BBC and first performed in a broadcast by the BBC Concert Orchestra. It is a march-like evocation of the capital, very much as an outsider would see it, all hustle and bustle, with ceremonial and tradition around every corner. Whether the concert version or the marching band version, this march is a "must" for every band library!
Estimated dispatch 7-14 working days
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£45.95Fantasy on Chester (Concert Band - Score and Parts) - Billings, William - Story, Michael
This famous melody became very popular during the American Revolution and was first published in 1778 as a patriotic hymn. It served as the unofficial national anthem during that war. Michael Story infuses this tune with satisfying harmonic structuring and presents it in a version playable by the youngest band or ensemble.Duration: 2.00
Estimated dispatch 7-14 working days
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£59.99
Eine Kleine Morgenmusik Wind Band Set (Score & Parts) - Fraser, Bruce
An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert. 02:30
Estimated dispatch 7-14 working days
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£189.99
Spotlights (Concert Band - Score and Parts)
Spotlights is a fantastic virtuoso piece for saxophone quartet (SATB) and concert band that was commissioned by the outstanding Austrian saxophone quartet Mobilis. It is an impressive and exceptionally spectacular piece in which every member of the saxophone family is featured. The most important ingredients of this solo work are virtuosity, rhythm and a good dollop of funk. It is a challenging, but rewarding piece for your saxophone soloists and yet very accessible to the audience. 11:00
Estimated dispatch 7-14 working days
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