Results
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£60.99The Governor's march - Leroy Anderson
This wonderful march comes with a remarkable history. Originally titled Governor Bradford March, it was written for orchestra in 1948. 50 years later (1998) Tom Everett, director of the Harvard University Band, discovered Mr. Anderson's manuscript for band among some other old band arrangements! This band version was performed for the first time in 1999 and the recording was used by National Public Radio. This striking yet very playable cut-time march is an excellent addition to the repertoire of classic American marches.
Estimated dispatch 7-14 working days
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£118.99Inferno - Sven Van Calster
On 25th May 2011 a huge fire broke out in the Kalmthoutse Heath nature reserve north of Antwerp. Within a very short time more than 600 hectares of heath land went up in flames. The effect on the surrounding environment was huge. The fire left deepscars affecting the residents, those responsible for heath land, and also the members of the fire brigade who for several days risked their lives to fight the fire.The composition Inferno begins majestically and on a huge scale, exactly as theKalmthoutse Heath is. Soon a theme is introduced into the work in which the magnificent beauty of nature can be heard. We then hear the fires on the heath set to music. Even thefire helicopter can be heard, together with the first discussions thattook place after the alarm was raised with the Kalmthoutse fire brigade.One fact remains at the centre of this work, however: the natural beauty and splendour of the heath landscape. This is expressed at the start of the work in a theme that recursthroughout the piece. Towards the end it is finally replaced by a peaceful conclusion, representing the hope for a speedy regeneration of this wonderful nature reserve. Download the audio file from the 'Attachments'.
Estimated dispatch 7-14 working days
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£145.00Searching for Lost Dreams (Windependence Concert Band - Score and Parts) - Wilson, Dana
As I began this piece, it was as though I were entering a dream. The music was atmospheric, undefined, and somewhat disorienting. Gradually the material became more focused, but just in time to switch to a very different--though related--sound world, which became the second movement. The overall poignancy, varied sound worlds and dramatic shape of the music suggested the title. - Dana Wilson Duration: 8:00
Estimated dispatch 7-14 working days
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£44.95Trumpet Concerto (Concert Band - Score and Parts) - Neruda, Johan Baptist - Phillips, Richard
Johan Baptist Georg Neruda was a classical composer born in Bohemia which is now part of the Czech Republic. Very little is known about this composer other than he had a good reputation as a violinist and conductor in Prague and Germany and became the Konzertmeister of the Dresden Court Orchestra.This concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.
Estimated dispatch 7-14 working days
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£8.95
Trumpet Concerto (Concert Band - Score Only) - Neruda, Johan Baptist - Phillips, Richard
Johan Baptist Georg Neruda was a classical composer born in Bohemia which is now part of the Czech Republic. Very little is known about this composer other than he had a good reputation as a violinist and conductor in Prague and Germany and became the Konzertmeister of the Dresden Court Orchestra.This concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.
Estimated dispatch 7-14 working days
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£75.00London Salute (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
London Salute was written to mark the sixtieth anniversary of the BBC and first performed in a broadcast by the BBC Concert Orchestra. It is a march-like evocation of the capital, very much as an outsider would see it, all hustle and bustle, with ceremonial and tradition around every corner. Whether the concert version or the marching band version, this march is a "must" for every band library!
Estimated dispatch 7-14 working days
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£85.00Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek
Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00
Estimated dispatch 7-14 working days
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£59.99
Eine Kleine Morgenmusik Wind Band Set (Score & Parts) - Fraser, Bruce
An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert. 02:30
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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