Results
-
£104.00Silent Night - Michael Franz Xaver Gruber
Bjrn Vllgraf presents the most famous Christmas carol in a captivating new arrangement for symphonic wind orchestra. His arrangement features dynamic solo passages, enchanting chords, and exciting crossovers to jazz and pop. Experience a heartfelt and exhilarating version of the classic that blends traditional Christmas spirit with contemporary sounds. Perfect for an unforgettable concert!
Estimated dispatch 7-14 working days
-
£132.50Me and Mrs. Jones - Kenneth Gamble
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Bubl's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Bubl has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 7-14 working days
-
£60.99Afro Blue - Mongo Santamaria
Composed in 1959 by Mongo Santamaria, Afro Blue became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bemb rhythm, along with characteristic melodies and harmonies alternating between various sections of the band. Also a great vehicle for engaging your percussion section while introducing your students to an important and appealing musical genre. Dur: ca. 2:30
Estimated dispatch 7-14 working days
-
£87.50A Beacon of Light - Patrick Roszell
A Beacon of Light, by Patrick Roszell, was written for and dedicated to Mr. Gene Inglis and his incredible 49-year career in music education. With lively melodies, a touch of jazz harmonies, and a beautiful setting of "Be Thou My Vision," this new contribution to instrumental literature will be a welcomed addition for contest and concert settings.
Estimated dispatch 7-14 working days
-
£119.00Sixty-Six - Robert Sheldon
Embark on this musical road trip along the legendary Route 66 from Chicago to Santa Monica, including references to the music of its heyday in the 1940s, the quirky attractions, neon signs, and the towns that have since faded following the end of the fabled highway's era. From the opening symphonic fanfare to inspiring jazz and everything in between, Sixty-Six, by Robert Sheldon, plays surprisingly well and is guaranteed to bring down the house!
Estimated dispatch 7-14 working days
-
£73.50You Better Sleigh! - Jarod Hall
Let JaRod Hall bring some funk with a sassy attitude to your winter concert! This remarkably smooth and fun musical scavenger hunt includes a wealth of holiday tunes with an incredible groove! Influenced by jazz, R&B, soul, and dance music, You Better Sleigh! is guaranteed to be the hit of the season.
Estimated dispatch 7-14 working days
-
£135.10Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
-
£89.99A Touch of Klez! - Jan de Haan
A Touch of Klez! was written for flute or alto saxophone solo and concert band. The work is based on three klezmer melodies: 'Ani Purim', 'Shlof Mayn Kind' and 'Freilachs Fun L.A.'. Klezmer is a form of traditional Yiddish music that originated in Eastern Europe during the Late Middle Ages and was originally intended as music for weddings. In the 20th century, klezmer melodies in Europe were influenced by other music styles; in America, jazz had a notable influence on this compelling music.
Estimated dispatch 7-14 working days
-
£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
-
£183.20Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 7-14 working days
View Music