Results
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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
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£168.50
The Three Embraces - Carter Pann
The first two of three movements are meant to be aural aromas, says Pann, with soft, languid, and lush winds (a long trail of the softest dynamics). Harp and celesta are used to impart an aura of ancient, inward elegance. The Three Embraces ends with a celebratory mix of pastoral melodies juxtaposed over more modern, angular harmonies. Written to celebrate Allan McMurray's 35 years as Director of Bands at the University of Colorado. (all quotes from the composer) Dur.: 12'30
Estimated dispatch 7-14 working days
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£280.50Of Strife (1. From A Time Of Strife) - Eric Ewazen
A commission by the U.S. Air Force Band of the West allowed Ewazen to consider the ten years following the events of 9/11/2001, resulting in A Time of Strife, a Time of Peace. The first movement considers the long wars and the losses entailed through soaring lyrical lines above a rhythmic, pounding accompaniment, as Ewazen puts it. The second movement is a bittersweet celebration on the death of the perpetrator and a future of joy, peace, and life. Ewazen says, A burst of joyous energy bringing this chapter in our history to a close.
Estimated dispatch 7-14 working days
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£319.95Labyrinth - Carter Pann
Composed to commemorate the 50th anniversary of Karel Husa's iconic Music for Prague 1968, LABYRINTH is an expansive, expressive four-movement work of symphonic weight and scope. Polyphonic webs of searching melody coalesce into enveloping tapestries of sound as the piece unfolds. Pann describes the epic final movement as "a gargantuan crescendo like the last movement of Respighi's The Pines of Rome or Ravel's Bolero [that] should leave the audience and players sonically drenched by the end." LABYRINTH is an enthralling experience for ensembles and listeners alike, and one that will linger with them long after the last chord fades from the concert hall.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band Vol. 1
The long awaited Music for Junior Wind Band. A flexible book of popular tunes for beginner wind band.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band Vol. 2
The long awaited Music for Junior Wind Band. A flexible book of popular tunes for beginner wind band.
Estimated dispatch 7-14 working days
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£104.50Inglesina The Little English Girl - Davide Delle Cese
Best known for his marches, Davide Delle Cese was an Italian band leader, composer and teacher who enjoyed a long and rich musical career. His march, Inglesina, is one of his most popular marches and is an international favorite. This accomplished edition by the former director of the United States Marine Band is based on the original 1871 Italian edition and brings new excitement and freshness to this European classic.
Estimated dispatch 7-14 working days
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£104.50In Storm and Sunshine - John Clifford Heed
John Clifford Heed (1862-1908) was known as the "March Wizard," and has more than 60 published marches to his credit. In Storm and Sunshine was one of his earliest works, and it remains his most popular work to this day. It has all the ingredients for a great march, and this new edition by the former director of the U.S. Marine Band provides a fresh new approach to the long time favorite.
Estimated dispatch 7-14 working days