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£137.99
Odyssee Wind Band Set (Score & Parts)
The Odyssee tells the story of Odysseus, the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The "Odyssey" follows the "Iliad", the story of the bloody war between the Greek and the Trojans. This battle ends after ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero. In The Odyssey, Homer describes how Odysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years, his wife, Penelope, had to try and keep her many admirers away. These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: "As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband", she promised them. But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Is he an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope! Nearly three thousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today. Odyssee by Jan Bosveld is not just an adventure story, but rather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly. The further development of this short introduction completes this character sketch: trustworthy, perseverant, and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as we recognise the weaving loom of Penelope in the murmuring eighth? In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does not clear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds: the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell. The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty! 07:45
Estimated dispatch 7-14 working days
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£64.35
The Home Town Boy - Swearingen, James
In 1962, Karl King composed his last great march and dedicated it to his long time friend Meredith Willson of "The Music Man" fame. All the wonderful components of a classic march are evident throughout this toe tapping selection. His long list of popular marches continues to be performed around the world and, hopefully, this new and exciting edition will find its way into the music folders of your students. A real crowd pleaser!
Estimated dispatch 7-14 working days
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£70.00
WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline
Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions
Estimated dispatch 7-14 working days
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£90.00
Flight of the Albatross (CB) - Wouter Vercruysse
The albatross is one of the largest bird species in the world. With its long wings, this mighty animal rules the sea. This opening work describes long gliding flights and the diving for their prey.
Estimated dispatch 7-14 working days
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£49.00
Song for Terra
Representing the hope that we can all live with peaceful thoughts, this expressive ballad lets younger ensembles work on the essential skills of legato-style playing, listening across the ensemble, and developing long phrases. Only two and a half minutes long, this composition will present a beautiful musical moment in your concert without tiring younger performers.
Estimated dispatch 12-14 working days
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£49.00
The Gift To Be Simple
This traditional Shaker song is presented with modern harmonies, rhythms, and instrumentation. Using ostinato patterns, long legato lines, and interesting percussion parts, this arrangement offers many interdisciplinary possibilities as well. Folk songs have long been an essential part of the concert band repertoire and this modern approach to a well-known melody can help teach this important style to performers in a new way.
Estimated dispatch 12-14 working days
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£49.00
The Raider's Last Crusade
This fast-paced concert and contest opener features dynamic wind lines, long melodic phrases and interesting harmonic and melodic twists. The development of dotted quarter note and eighth note patterns and the ability to play long crescendos, essential for musicians, is an inherent part of this composition's structure. In one tempo throughout, this composition will entertain both performers and audiences.
Estimated dispatch 12-14 working days
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£41.00
Renaissance Dance - Tielman Susato
The music of Susato has long been a staple in band music, as it is some of the first examples of music for consorts of instruments. Band directors have long embraced his music to teach the Renaissance style. With Renaissance Dance, Bill Calhoun has delivered the easiest possible arrangement of this famous Susato piece taking care to retain the original style and teachability.
Estimated dispatch 12-14 working days
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£60.00
Scenes from the Peconic
The natural beauty and historical significance of the Peconic River, a tranquil and majestic waterway originating in the pine barrens of eastern Long Island, are depicted in this colorful, flowing and tuneful new piece by Long Island resident Carl Strommen. The luminous scoring is designed to show the band to its best advantage. The 6/8 meter of most of the piece is ideal for representing the flow of the river's steady progress to the sea.
Estimated dispatch 12-14 working days
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£95.99
5 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days