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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated delivery 7-14 working days
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£61.95
Renaissance Dance - Tielman Susato
The music of Susato has long been a staple in band music, as it is some of the first examples of music for consorts of instruments. Band directors have long embraced his music to teach the Renaissance style. With Renaissance Dance, Bill Calhoun has delivered the easiest possible arrangement of this famous Susato piece taking care to retain the original style and teachability.
Estimated delivery 7-14 working days
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£134.99Rhapsody for Flugelhorn - AndrĂ© Waignein
As a trumpet player Andr Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players, and more demanding works for professionals.With his rhapsody Andr Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity, sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult, it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore, with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity andoffers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.
Estimated delivery 7-14 working days
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£59.99Flamingo Rock - Kevin Houben
Tonight the sea will be awash with pink! Flamingos from everywhere are flying in for a rockin' party. Their long legs prance around to the beat, circling each other, as their beaks chatter all night long. Who else wants to go to the FlamingoRock? Kevin Houben's new composition is full of little rhythmic and harmonic challenges perfect for bands both young and old. But beware, once you start playing the tune, you just might not be able to stop!
Estimated delivery 7-14 working days
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£52.95Hanukkah Is Here - Scott Watson
For children, Hanukkah brings thoughts of a miracle from long, long ago and excitement each holiday season about what awaits. This new work musically conveys both reflection and joy with colorful scoring and expressive writing. Add wonder to your holiday performance this year with Hanukah Is Here. (2:35)
Estimated delivery 7-14 working days
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£71.50The Home Town Boy - Karl L. King
In 1962, Karl King composed his last great march and dedicated it to his long time friend Meredith Willson of "The Music Man" fame. All the wonderful components of a classic march are evident throughout this toe tapping selection. His long list of popular marches continues to be performed around the world and, hopefully, this exciting edition will find its way into the music folders of your students. A real crowd pleaser!
Estimated delivery 7-14 working days
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£54.99
A Christmas Classic - James Swearingen
Nicest Christmas pieces we've heard in a long, long time. Absolutely no one can write for young players better than Jim Swearingen and this exceptional arrangement is definitely one of the finest Christmas pieces for bands at this grade level.
Estimated delivery 7-14 working days
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£65.99Free Spirit Overture - Jerry Williams
Free Spirit Overture by Jerry Williams has long been a favorite of bands around the world and this tasteful arrangement in the "Build-A-Band" Series makes it playable by groups with limited instrumentations. Playable by any combination of instruments as long as the five main parts are covered and also includes optional parts for Mallets, Keyboards, Strings, and Percussion. A terrific concert or contest piece for very small bands and an excellent teaching tool. Highly Recommended!
Estimated delivery 7-14 working days
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£71.50
The Only Girl - Victor Herbert
The 1915 hit musical comedy, "The Only Girl" by Henry Blossom, music by Victor Herbert, was a huge success. The show opened on Oct. 1 in the New Nixon Theatre located in Atlantic City and dazzled audience members with "melodies that will be remembered for a long, long time."This arrangement by M.L. Lake includes numbers such as: "When You're Away", "Here's How", and "Tell It All Over Again"
Estimated delivery 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated delivery 7-14 working days
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