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£74.99Jingle Jangle All The Way - Pierpont
Ed Huckeby's inventive and colorful treatment of the classic "Jingle Bells" is sure to get everyone in the holiday spirit! The fresh rhythmic concepts provide just the right combination of uniqueness and familiarity to give this holiday favorite a brand new twist. The clever changing meter elements provide that extra "special" to bring the tune alive and create fresh sounds. "Jingle Jangle All The Way" is certain to become a favorite on your annual holiday concert program! Oh, what fun it is!
Estimated delivery 7-14 working days
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£100.00Crossing Parallels - Kathryn Salfelder
Following the success of Kathryn Salfelder's Cathedrals (2009), the American Bandmasters Association commissioned her to create this new work for band. Premiered at the 2010 ABA National Convention, Crossing Parallels offers a creative tapestry of engaging sounds and textures as it combines elements of Renaissance and Baroque musical gestures with contemporary notions of set theory and harmony. The seemingly contradictory nature of the title is reflected in the overlapping and intertwining of thematic ideas vying for attention.
Estimated delivery 7-14 working days
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£89.99Stardust in the Sky - Kohei Mikuni
Japanese composer Kohei Mikuni's colourful concert march captures all the energy of a march and all the wonder of the sky. The beautiful melodies jump from section to section as they modulate to new and exciting keys, accompanied by fun sounds and exciting rhythms from the drum set. Stardust in the Sky is an energetic piece that will make a perfect item for any occasion and will also wow the judges at music competitions.
Estimated delivery 7-14 working days
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£289.99Divertimento - Oliver Waespi
This grand work contains four contrasting movements. The first movement, Prelude, takes the form of an overture: it raises the curtains and marks the beginning of the piece. The brilliant motifs of the opening are contrasted by a calmer and more lyrical central section, after which the triumphant opening returns for the movement's end. The second movement, Meditation, explores the intimate sounds of the oboe, as well as those of the flute and French horn, backed by a rich orchestral accompaniment. The third movement presents a more upbeat Procession, but not a Procession of the Nobles, as written by Rimsky-Korsakov. Quite the opposite, Procession resembles a "second line"procession from New Orleans, whose up-beat rhythms invite everyone to dance in the streets rather than the measured pacing of a march. Divertimento ends with a Hoedown, the tradition American folk dance idiom, when the band has the opportunity for both vivacity and virtuosity and may play as fast as it can. It is important to play all four movements with precision, clarity and, most importantly, enthusiasm.
Estimated delivery 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated delivery 7-14 working days
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£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated delivery 7-14 working days
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£59.95Storm Chaser - Kevin Mixon
Off in the distance we hear the storm begin, the thunder roar, and see the the lightning strike as we take off with this dramatic piece, depicting the sounds of a violent thunderstorm. Educator and composer Kevin Mixon gives us a bold new piece that includes the sound of finger snapping (to mimic rain and thunder) to add to the overall effectiveness of this dynamic piece. Students will love the angular, strong melody and will sound great in contest or festival.
Estimated delivery 7-14 working days
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£101.50
Arts du Cirque - Bill Calhoun
Arts du Cirque takes the listener on an exotic musical journey through a day at the circus. You hear the lion tamers, the trapeze artist--you even hear the clowns. It is a tapestry of sounds and marvelously orchestrated colors, not a tongue-in-cheek presentation. This new work for band will fit nicely as a contrasting piece on a concert, contest, or festival program.
Estimated delivery 7-14 working days
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£106.95
To The Rubicon - George Sweet
This very different, fresh and interesting new piece has a lot of minimalist traits to it. Composer George Sweet gives us a constant motor in this piece with intriguing textures, sounds and colors. A perfect way to introduce these compositional techiniques to your students.
Estimated delivery 7-14 working days
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£106.95
Tumbleweed - Tyler Arcari
As the title suggests, Tumbleweed evokes the sounds of the American southwest, of the glory days of the American Cowboy and all of the trials and tribulations of living in this unforgiving new frontier. Composer Tyler Arcari painted a sophisticated musical picture that utilizes the total modern concert band.
Estimated delivery 7-14 working days
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