Results
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£7.99Concert Time (1st & 2nd Flute) - Nowlin & Pearson
Concert Time, by Bruce Pearson and Ryan Nowlin, is a collection of twelve songs written for beginning or young band. An excellent compilation and variety of music styles, Concert Time includes festival pieces, concert marches, classical transcriptions, lively lighter songs, and originals. With accessible, grade-appropriate rhythms, highlights also include clarinets staying below the break in each song, melodies are written in every section, and the Drums, Mallets, Auxiliary Percussion, and Timpani are all in one book. With reinforced orchestration throughout the ensemble, each piece was composed or arranged with the young player in mind and will prove to be accessible and musically satisfying to the player and the audience. Each concert time part book includes a Fingering Chart and Preparatory Melodies. Concert Time is part of the Tradition of Excellence series and is an outstanding addition to any band curriculum. Includes: The Holidays are Here; North Winds; A Journey Together; Fire Rock; Home Days; One of These Days; To the Castle; The Earle of Oxford's Marche; On the Carousel; Practice Report Blues; Psalm and Dance; Steadfast Overture.
Estimated dispatch 7-14 working days
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£24.99Concert Time (Conductor Score) - Nowlin & Pearson
Concert Time, by Bruce Pearson and Ryan Nowlin, is a collection of twelve songs written for beginning or young band. An excellent compilation and variety of music styles, Concert Time includes festival pieces, concert marches, classical transcriptions, lively lighter songs, and originals. With accessible, grade-appropriate rhythms, highlights also include clarinets staying below the break in each song, melodies are written in every section, and the Drums, Mallets, Auxiliary Percussion, and Timpani are all in one book. With reinforced orchestration throughout the ensemble, each piece was composed or arranged with the young player in mind and will prove to be accessible and musically satisfying to the player and the audience. Each concert time part book includes a Fingering Chart and Preparatory Melodies. Concert Time is part of the Tradition of Excellence series and is an outstanding addition to any band curriculum. Includes: The Holidays are Here; North Winds; A Journey Together; Fire Rock; Home Days; One of These Days; To the Castle; The Earle of Oxford's Marche; On the Carousel; Practice Report Blues; Psalm and Dance; Steadfast Overture.
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£75.00Silent Night (Concert Band with Optional Choir - Score and Parts) - Gruber, Franz - Noble & Willcocks
Silent Night (German: Stille Nacht, heilige Nacht) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. Over the years, because the original manuscript had been lost, Mohr's name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. However, a manuscript was discovered in 1995 in Mohr's handwriting and dated by researchers as c. 1820. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr's handwriting. The song has been recorded by a large number of singers across many music genres. This haunting setting by David Willcocks also includes slight textual alterations to the piece that has been translated into about 140 languages. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00There is a Flower (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Named 'the world's greatest living composer and conductor of choral music' by US television station NBC, there's no denying Rutter's skill at seducing both choirs and audiences alike with his rich harmonies and folk-like melodies that often have the air of being written centuries ago. There is a Flower is one such piece - a simple, spare treble melody starts the work and is gradually enriched with delicious choral textures. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£109.99The White Thrill (Concert Band - Score and Parts) - Cesarini, Franco
The White Thrill is a composition written on behalf of the "Musikkapelle Sankt Anton am Arlberg", in Austria. The theme refers to the ski race "Der weisse Rausch", that takes place every year in Sankt Anton. The composition is in an overture form, with a majestic introduction, a fast part, a slow part and a reprise of the fast part. One theme characterizes the entire composition, with its pleasantly syncopated and fascinating rhythms; symbolizing in music the sinuous gait of the track and the rapid maneuvers of the skiers. In the introduction, the majestic aspect, symbolizes the charm of the summits covered with snow, the grandeur of the alpine landscape. In the slow part, one can imagine the quiet of winter nights lit by the moon and the stars. A beautiful and ingenious piece. Duration: 8.00
Estimated dispatch 7-14 working days
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£75.00O God, Our Help in Ages Past (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Considered one of the finest paraphrases written by Isaac Watts, O God, Our Help in Ages Past expresses a strong note of assurance, promise, and hope as recorded in the first part of Psalm 90. This Festive fanfare and hymn arrangement by John Rutter, adapted by Paul Noble, makes a powerful piece for combined Concert/Wind Band and Chorus, one that is a very accessible and a worthy addition to the repertoire of the Concert Band.
Estimated dispatch 7-14 working days
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£495.00English Dance Suite (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Original Scoring. Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£125.00English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£75.00English Dance Suite - II. Alman (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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