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  • £62.95

    Clarinets Packing Up Early - Gary Fagan

    This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main theme they carry is totally absent from the accompaniment part played by the rest of the ensemble. The creative possibilities with this piece are limited only to the director's imagination! (2:10)

    Estimated dispatch 3-5 working days

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  • £73.50

    We Wish You a Mambo Christmas

    Celebrate the holidays mambo-style! This stunning arrangement features authentic grooves using only those percussion instruments found in a typical Latin percussion ensemble. Optional piano and electric bass parts are included to make the piece even more engaging. After the piece moves into a more relaxed mambo feel, the music suddenly switches to double-time in a jaw-dropping transition that brings the piece to a fiery conclusion. This is one way to set your winter concert on fire!

    Estimated dispatch 3-5 working days

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  • £62.95

    Kaalin's Flight - Ryan Meeboer

    This piece was influenced by the music of the Middle East and India. "Kaalin" is the Hindi word for "rug," much like the one ridden by Aladdin in the famous story. This piece can even be considered a programmatic piece, as if someone were riding a magic carpet through the Arabic or Indian communities.

    Estimated dispatch 3-5 working days

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  • £33.50

    Rondeau - Jean Joseph Mouret / arr. David Marlatt

    This Rondeau by Jean Joseph Mouret is recognized today as the opening theme song to Masterpiece Theatre. This famous trumpet solo features the first trumpet section in the band. Alternating sections between brass choir (plus some covering parts) and the complete band make this piece a fun one to play. Rondeau is an audience favourite and this stately piece is sure to be known by all. With typical Baroque articulations and sudden dynamic contrasts, this piece is excellent for not only featuring a section, but working on tight ensemble playing.

    Estimated dispatch 3-5 working days
  • £75.00

    Vranjanka - Kenneth Hesketh

    Vranjanka (pronounced VRAHN-yahn-kah) means "From Vranje," a town in southern Serbia. It is loosely based on the traditional folksong ano Duo. The melody is extant in two versions, one in 7/8 and one in 3/4. The musical form of the piece starts with a fairly slow introductory section, a faster second section cast in a set of variations on the folksong. Vranjanka was commissioned by Timothy and Hilary Reynish in memory of their son William.

    In stock: Estimated delivery 1-3 days
  • £64.00

    It Came Upon A Coventry Carol - Bill Calhoun

    Composer Bill Calhoun combines two popular Christmas carols into one sophisticated concert-style piece. It is bold and serious, containing shifting modalities and moves effortlessly from major to minor, and back again, many times throughout this effective setting. If you want to play something stunning and unexpected for your next holiday concert, then this is one that deserves serious consideration.

    Estimated dispatch 12-14 working days
  • £10.00

    The Show Boy - William Huff

    Here is one of the standard marches from the old Fillmore Bros. catalog. Considered one of Will Huff's best marches, the piece is tuneful and easy enough for most high school bands to be able to play. A perfect contest warm-up march!

    Estimated dispatch 12-14 working days
  • £244.00

    Anemoia - Gauthier Dupertuis

    Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.

    Estimated dispatch 7-14 working days
  • £49.50

    Binary 0101 - Laura Estes

    This new work in C Minor is a great new introductory work for your beginning musicians! Easy use of rests on beat one makes for a truly teachable piece while being fun and accessible. They are going to ask to play this one over and over!

    Estimated dispatch 7-14 working days
  • £193.20

    CASTRVM - Lionel Beltrán-Cecilia

    CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna

    Estimated dispatch 7-14 working days

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