Results
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£75.00Esurientes (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£75.00Et Misericordia (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£75.00Fecit Potentiam (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£110.00Gloria Patri (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£595.00Magnificat (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£200.00Magnificat Anima Mea (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£75.00Of a Rose, a Lovely Rose (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£75.00Quia Fecit Mihi Magna (from Magnificat) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Magnificat anima mea (My soul doth magnify The Lord) is the first of seven movements comprising John Rutter's setting of the biblical canticle Magnifica, completed in 1990. Rutter was inspired by jubilant celebrations of Mary in Hispanic cultures and conceived the work as a bright Latin-flavoured fiesta. In countries such as Spain, Mexico and Puerto Rico, feast days of the Virgin are joyous opportunities to take to the streets and celebrate with singing, dancing and processions. This arrangement for combined Concert Band and Chorus may also be performed by band alone, and is a faithful representation of the original composition.
Estimated dispatch 7-14 working days
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£32.95Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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