Results
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£199.99Fanfare No. 1 - Wataru Hokoyama
Fanfare No. 1 (1995) In the summer of 1995 before his departure to the United States, a request from his high school band friends for a good concert opener sparked 19 year old Hokoyama to write his very first wind band composition.To capture the excitement of the rising curtain, the piece begins with magnificent brass ascending in 4th and 5th intervals. This is followed by the energetic entrance of the full ensemble like celebratory cannon fire. The following melody has many notes, yet is still simple. Do not overestimate it, just perform with driving momentum.In the slower middle section, utilize an instinctive vision of a scorching midsummer sun shimmering on the horizon. (Likely this shimmering sunset image was scored unconsciously, being composed in midsummer. A more applicable mood might be "Indian sunset". Perhaps this Indian style came from a capricious feeling of youthfulness.)The bright tempo and melody return for the last section. The climactic volley of musical display is like explosive fireworks as the last sounds echo throughout the concert hall.The composer wishes for performers to play from their hearts and not be limited by an analytic approach to the score-absolute accuracy is not required. Above all, the deepest pleasure for the composer is to know that teachers and students share the joy of music making with the intention of sharing it with others all over the world.With deepest gratitude, thank you for performing this work.
Estimated dispatch 7-14 working days
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£349.99Symphonic Dances - Yosuke Fukuda
Symphonic Dances for Wind Ensemble was commission by the Central Band of the Japan Air Self Defense Force. The suite's five movements present "dances of the world". While the energetic quality and spirituality of each dance should be captured, the collection is still intended to entertain. Each movement is complete and can be performed accordingly.I. Renaissance DancesAn homage to European flavor and style from the time of Gervaise, Susato and Praetorius, after the introduction, the steps of courante, pavane, galliard, and branle appear. Please perform with vigor and contrast!II. TangoThis section is more an earthy and piquant Argentine romance than an elegant continental tango. Perform the alto saxophone theme and solis for each section very passionately!III. HoedownHere is the scene of the rodeo and a free-spirited western swing feel. The introductory clarinet solo can be done ad libitum. Maintain the mood by swinging slightly throughout. Present this movement playfully!IV. Spirituals (Bon-Odori-Uta)This is a requiem on the Bon-Okuri ceremony guiding ancestors back to the spiritual world. The initial piccolo motif repeats a chant in the rhythm of bon odori (a bon dance) and develops as a variation on Owara-bushi, a beautiful folk song from Toyama prefecture. The traditional bon odori have evolved into summer festival entertainment.V. Belly DanceThe belly dance is typically Arabic, its music performed by strings and drums.All should play with passion and flamboyance and a sense of bacchanalia and abandon. Employ a heavy sense of rhythm, also with a "Darbuka" (traditional Turkish goblet drum) if possible. Additionally, a "big-bang" coda is not only allowed, but encouraged!(Yosuke Fukuda)
Estimated dispatch 7-14 working days
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£144.99Scottish Dances - Peter Martin
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Estimated dispatch 7-14 working days
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£57.50Carrying You from "Laputa: Castle in the Sky" - Joe Hisaishi
New Sounds in Concert Band Series(NSB) for small band with 2-part choir Duration: approx.4'10" Arranged by Eiji Suzuki"Carrying You" was composed as a theme song to Castle in the Sky, an animated film produced by Studio Ghibli and directed by Hayao Miyazaki, released in 1986. The composer for Castle in the Sky was originally not Joe Hisaishi, but the director Miyazaki strongly requested him. The director told Hisaishi his vision for the film, and based on the world he imagined, Hisaishi made a collection of music called the Image Album. The melody that later becomes the basis for "Carrying You" was born from this album. However, the director Miyazaki was not planning on including a theme song in this film. Isao Takahata, the producer, proposed including a song, for the audience to think over the film at the end. He wanted the audience to think, "While the protagonists sought for the treasure, they didn't obtain any treasure. What did they obtain instead?" They thought, if they are going to create a theme song, it should be something organically connected with the entire film. Takahata requested the director Miyazaki to write the lyrics for the theme song. And to Hisaishi, he gave instructions to create a melody for the theme song using an instrumental piece called "Pazu and Sheeta" from the image album mentioned above. Director Miyazaki handed a piece of memo with lyrics to Takahata. "Carrying You" we hear now is this lyrics with some changes, set to Hisaishi's music. The melody is used at the opening of the film as well as the scene where Laputa is destroyed, and the song is used for the ending. Performance Advice from Arranger Suzuki: This is an extremely simple arrangement that can be performed by lower grade bands and singers. Of course, it can be played without singers and chorus, but the contents of the lyrics are very tasty so if possible, we recommend that you perform using the voices. Depending on your resources, the voice parts can be done as all solo, all female chorus, and so on.
Estimated dispatch 7-14 working days
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£73.00S.O.S. (Concert Band - Score and Parts) - Kjaernes, Bjorn Morten
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30
Estimated dispatch 7-14 working days
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£59.80Solnedgang over Hendanes (Sunset over Hendanes) (Flexible Ensemble - Score and Parts) - Torskangerpoll, Idar
This piece describes a sunset over Hendanes, a viewpoint near Torskangerpoll, the composer's home village. From this place one has a 180-degree view over the North sea, and one can see the sun setting into the ocean in the west. On hot summer s nights this is a particular beautiful spectacle. This piece is for bands looking for a calm and expressive item to play. There is melodic material in all parts and this is building a contrasted expression throughout the piece.Duration: 2.30
Estimated dispatch 7-14 working days
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£72.99Harlem Suburb Shuffle (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
From the beginning of the Middle Ages, we have known performance practices in which the duration of the notes can differ from the actual notation. In some cases, binary written melodies were performed in a ternary way. This is also the case in the present-day shuffle: the written quavers are performed in a long-short system in which the ratio is 2:1. In other words, the performance practice is based on a triplet feel. In this composition, all ingredients of the shuffle are featured: a vigorous swing rhythm, a walking bass, the successions of thirds in the accompaniment and the frequent use of triplets. To make sure that the binary written rhythms in the accompaniments are performed in the correct ternary manner, Peter Kleine Schaars has notated the melody themes in triplets as much as possible. Thus, this composition is a very useful exercise for the swing development of your ensemble. Additionally, the work is a treat to listen to, so your audience will really appreciate this up-tempo big band like composition. All ternary rhythmic cells 17 till 24 pass in revue, further more much attention had been paid to a correct performance of cell 4 in swing feel.Duration: 3.00
Estimated dispatch 7-14 working days
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£53.95Christmas Holiday March (Greensleeves) (Flexible Ensemble - Score and Parts) - Story, Michael
This version of Christmas Holiday March arranged by Michael Story is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This march setting of the 16th-century traditional English folk song "Greensleeves" is an outstanding fusion piece for beginners. With teaching opportunities for contrasting articulations and phrasing, this is a wonderful selection to march into the holiday season. Duration: 2.15
Estimated dispatch 7-14 working days
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£110.00Down by the Riverside (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Down by the riverside is a spiritual that was sung by slaves in the South as a work song. It dates back to before the American Civil War. John Rutter's lively arrangement of this barnstorming American folk-song builds up from a quiet opening to a triumphant conclusion. This arrangement is a faithful adaptation of the original orchestration for chorus and orchestra, but it is arranged so that it may be performed by band alone. The style is an authentic toe-tapping early jazz creation that relates to the 'jitterbug' era, and the band arrangement is complete with an optional jazz clarinet solo as well as a rousing chorus by the sax section. The piano part is cued if needed. This is a perfect opportunity to get the entire band 'swinging', and could even entice a 'One mo' time!' finale.
Estimated dispatch 7-14 working days
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£144.99Kraftwerk (Concert Band - Score and Parts) - De Haan, Jacob
The theme of this work is the history of the town of Grafenrheinfeld (Bavaria, Germany) in the twentieth century, a town that is now mainly associated with its nuclear plant. The German word for this is Kraftwerk, which can be divided into the words Kraft (power) and Werk (work). In this composition, it is a metaphor for the 'work' that can be realised through 'power' in a negative way (war) and in a positive way (reconstruction). Musically speaking, power also plays an important role in this work, as opposed to vulnerability, the sense of loss and the insecurity about the lost identity. Based on the text of Lied der Franke 'Kraftwerk' is a powerfully descriptive work that will add energy to any concert.Duration: 8:30
Estimated dispatch 7-14 working days
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