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  • £134.99

    Cleopatra (Concert Band - Score and Parts) - Deleruyelle, Thierry

    The Last Queen of Egypt. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary. Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £407.00

    Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco

    Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00

    Estimated dispatch 7-14 working days
  • £65.00

    Malkauns (Concert Band - Score and Parts) - Boyd, Lindsay

    While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum. This is a wonderful piece for expanding the musical horizons of your players and audience. Duration: 3:30

    Estimated dispatch 7-14 working days
  • £75.00

    The Very Best Time of Year (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    This is another beautiful and luscious carol from John Rutter, and the setting is easy to moderately easy. The arrangement is written and intended for combined Wind Band and Chorus. However, it is also arranged so that it is complete with Wind Band alone. The choral part is shown in the conductor's score, but is not included in the set. This arrangement is compatible with the published vocal score.

    Estimated dispatch 7-14 working days

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  • £149.99

    Aureus (Concert Band - Score and Parts) - Roels, Stijn

    This composition was written on the occasion of the golden jubilee of the De Pinte wind band. This is also the derivation of Latin title Aureus (golden - from the word aurum, or gold). This work is comprised of three main sections. The first and last sections are predominantly a musical setting of the concepts of celebration and joy in keeping with the theme of jubilee. The music is therefore above all dynamic, energetic and extrovert. The middle section has a more introspective, melodic character, contemplating the subtle beauty of life. Aureus is a newly composed chorale that establishes the most important attributes in life and also within a club or association: love, friendship, health and happiness.Duration: 10:00

    Estimated dispatch 7-14 working days

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  • £75.00

    Tomorrow Shall Be My Dancing Day (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter

    This is one of John Rutter's most popular carols, now arranged for Wind Band and SSA Chorus. The arrangement is intended for combined Wind Band and Chorus. However, it is also arranged so that it is complete with Wind Band alone. The scoring is done with some cue size notations that should be played if performing without the Chorus. The choral part is shown in the score, but not included as a part of the instrumental packet. This arrangement is compatible with the published vocal score.

    Estimated dispatch 7-14 working days

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  • £79.99

    Siorai September (Concert Band - Score and Parts) - Hazo, Samuel R.

    Translated from Gaelic as "Eternal September," this marvellous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dame and premiered at their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem "Home Are the Sailors" is incorporated in the middle of the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles.Duration: 5:30

    Estimated dispatch 7-14 working days
  • £110.00

    Caramba! (Concert Band - Score and Parts) - Blezard, William - Noble, Paul

    William Blezard began writing Caramba! during a tour of New Zealand. Yet the musical basis of this work is about as far away from Kiwi culture as one can get. The word Caramba has several translations from the Spanish, including Dear Me!, or Goodness Me!, or perhaps more colloquially, Golly, or even Holy cow!. The entire work has an exotic feel to it that is so suggestive of things Spanish or Latin American. This is helped by the extensive use of percussion, and of course the brass is pure Latin American dance style. The demanding piano part is featured as almost a 'concertante'. In the Concert Band arrangement, the piano is highly desirable to replicate the original score, but the arrangement includes enough doubling and a short cut to make the piece entirely playable without the piano. Caramba! has all the hallmarks of a great piece of concert music that pleases as well as excites. For bands that want a challenge that is sure to bring an audience to its feet, Caramba! is the piece!

    Estimated dispatch 7-14 working days

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  • £159.99

    Tirol Terra Fortis (Concert Band - Score and Parts) - Van der Roost, Jan

    The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the 'Tiroler Landeshymne' (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melody appears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its 'couleur locale': for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!Duration: 11:00

    Estimated dispatch 7-14 working days

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  • £94.95

    Alloway Tales (Concert Band - Score and Parts) - Graham, Peter

    Scotland's greatest storyteller, Robert Burns, was born in Alloway, near Ayr in 1759, and died in 1796. This arrangement of three of his best songs includes an optional part for speaker (Scots accent preferred!) The first song is a portrait of Duncan Gray, who rides into the village to woo Maggie. After some initial misgivings on Maggie's part, wedding bells are in the air, and both live happily ever after. The second portrait is of Mary Campbell, who lies asleep by the gently flowing Afton Water. This is one of the most beautiful of Burns' settings, and in this arrangement the flugel horn is featured. The final song, The Devil's awa wi th' Exciseman, sees the scourge of the village, the customs man, spirited away by the Devil in a flurry of dust and hooves. They leave behind some very happy villagers who waste no time in celebrating their good fortune with jigs, drums and fun galore.

    Estimated dispatch 7-14 working days

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