Results
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£420.99Tre Sentimenti - Jan Van der Roost
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£149.99Concordia - Jan Van der Roost
This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.
Estimated dispatch 7-14 working days
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£159.99Tirol Terra Fortis - Jan Van der Roost
The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the 'Tiroler Landeshymne' (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its 'couleur locale': for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!
Estimated dispatch 7-14 working days
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£149.99Aureus - Stijn Roels
This composition was written on the occasion of the golden jubilee of the De Pinte wind band. This is also the derivation of Latin title Aureus (golden - from the word aurum, or gold). This work is comprised of three main sections. Thefirst and last sections are predominantly a musical setting of the concepts of celebration and joy in keeping with the theme of jubilee. The music is therefore above all dynamic, energetic and extrovert. The middle section has a more introspective,melodic character, contemplating the subtle beauty of life. Aureus is a newly composed chorale that establishes the most important attributes in life and also within a club or association: love, friendship, health and happiness.
Estimated dispatch 7-14 working days
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£134.99Cleopatra (Concert Band - Score and Parts) - Deleruyelle, Thierry
The Last Queen of Egypt. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary. Duration: 10.00
Estimated dispatch 7-14 working days
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£399.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated dispatch 7-14 working days
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£65.00Malkauns (Concert Band - Score and Parts) - Boyd, Lindsay
While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum. This is a wonderful piece for expanding the musical horizons of your players and audience. Duration: 3:30
Estimated dispatch 7-14 working days
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£149.99Aureus (Concert Band - Score and Parts) - Roels, Stijn
This composition was written on the occasion of the golden jubilee of the De Pinte wind band. This is also the derivation of Latin title Aureus (golden - from the word aurum, or gold). This work is comprised of three main sections. The first and last sections are predominantly a musical setting of the concepts of celebration and joy in keeping with the theme of jubilee. The music is therefore above all dynamic, energetic and extrovert. The middle section has a more introspective, melodic character, contemplating the subtle beauty of life. Aureus is a newly composed chorale that establishes the most important attributes in life and also within a club or association: love, friendship, health and happiness.Duration: 10:00
Estimated dispatch 7-14 working days
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£75.00Tomorrow Shall Be My Dancing Day (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
This is one of John Rutter's most popular carols, now arranged for Wind Band and SSA Chorus. The arrangement is intended for combined Wind Band and Chorus. However, it is also arranged so that it is complete with Wind Band alone. The scoring is done with some cue size notations that should be played if performing without the Chorus. The choral part is shown in the score, but not included as a part of the instrumental packet. This arrangement is compatible with the published vocal score.
Estimated dispatch 7-14 working days
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£79.99Siorai September (Concert Band - Score and Parts) - Hazo, Samuel R.
Translated from Gaelic as "Eternal September," this marvellous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dame and premiered at their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem "Home Are the Sailors" is incorporated in the middle of the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles.Duration: 5:30
Estimated dispatch 7-14 working days
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