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£154.99
Symphonic Variations - Jacob de Haan
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
Estimated dispatch 7-14 working days
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£50.80Dance of the One-legged Sailor - Dick van Heuvel
The work describes a short dance by a one-legged sailor. In the 6/8 beat the sailor always makes the wrong steps and gets furious about it. So he stamps his wooden leg (sounded by beats on two large woodblocks) in anger on the floor. Yet he tries again and each time the theme changes a little bit. The two passages when the musicians blow air through their instruments (measures 44-45 and 63-64) represent the sailor's sighing. The 'Dance of the one-legged sailor' also offers several possibilities to bring this sailor on the stage during the performance of the composition.
Estimated dispatch 7-14 working days
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£115.60Hard to Say I'm Sorry - Peter Cetera
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks. Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song, "Get Away", a up-tempo song featuring the famous horn-section of the band.
Estimated dispatch 7-14 working days
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£134.99
Milestone Overture - Dirk Brossé
This work was written at the pivotal point of both two centuries and two millennia. With its hopeful melodies and triumphant parts in the brass section, the opening pictures the dawning of a new era of great expectations, characterized by the high speed of communicating all over the world, which is one of the most important aspects of life in the 21st century. This is achieved by musical themes being rapidly transferred from one musician to another. In this vortex of information and fast business transactions, the sense of individuality threatens to become extinct. At this point, Brosse silences the orchestra (a symbol of society) and draws attention to those peoplewho are less fortunate than most of us. This focus on other people culminates with an orchestral climax in which all powers come together with a feeling of euphoria.
Estimated dispatch 7-14 working days
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£214.80Dance Suite - Joseph Horovitz
This work follows a tradition established at the end of the seventeenth century: the creation of a musical structure by using a succession of dance movements, composed in such a way that a satisfying cumulative effect is produced. This method can be traced, starting from the works of Corelli, through the so-called Mannheim school to Mozart, and on to Brahms and beyond. Indeed, most classical symphonies owe their origin to this tradition.Each of the three movements of Dance Suite contains themes and motifs which are based on clearly identifiable dance patterns, more or less traditional and tonal in harmonic language.The first movement is a mixture af march- and gavotte elements, but these occur as variants of a single main theme. The tempo is brisk and the strongly accentuated four-beat measures creates a feeling of motoric drive. This is often counteracted by unexpected syncopation and surprising modulations. Horovitz dispenses with a second subject in favour of a very elaborate development, which makes the final quotation of the theme into a sort of recapitulation.In contrast, the second movement is a gentle, gracefully undulating dance, using two steady beats in every measure. Here there are two themes, the first more rhythmic, the second more lyrical. The second theme always uses the first as accompaniment, rather as a singer might use a guitar. Both themes undergo several modulations before returning to the home key. A Spanish flavour pervades the rhythmic and melodic elements of this movement.The finale is a fast rondo (in 6/8) whose main theme is best described as a tarantella. This alternates several times with a more solid, rustic theme (in 2/4). However, the main theme is recalled in varying guises, including a parody Latin-American version. The orchestration becomes mor elaborate and exciting as the movement proceeds, and the whole work ends with a coda recalling the main rond-theme with an enthusiastic flourish.Joseph Horovitz wrote about Dance Suite: "Most of the melodies and rhythms in the Dance Suite have been in my thoughts for many years, ever since my eraly career as conductor of ballet, and later as composer of some sixteen ballet scores. Some of these ideas were sketched on manuscript paper, others remained in my head and even in my dreams. The composition of this work gave me the chance to search among these half-subconscious sources and to offer my discoveries to the wind-orchestra repertoire."
Estimated dispatch 7-14 working days
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£115.60Fernando - Andersson
This song was released as single record by Swedish pop group ABBA in 1976. The lyrics is about two older veteran talking about the Mexican-American war. In this arrangement, the verse occurs in two different instrumentations. Please be aware of the balance between the melody and accompaniment. In the beginning of the arrangement, the bass ostinato may be devided by Tuba and Baritone.
Estimated dispatch 7-14 working days
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£84.99Twinkling Flutes - Richard Comello
Composer Richard Comello observed that there is practically no music written for two flutes accompanied by concert band, so he composed this delightful piece convinced that this it will fill this little gap in the repertoire. Following a solemn baroque style introduction, joyful characteristic flute sounds develop with subtle band accompaniment. The two flute parts can be played by more players so enabling this piece to put your complete flute section in the spotlight.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band - Vol. 5 - More Carols - Adrian Taylor
The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.The 2nd parts are written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. 1st parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the two Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and preferably also the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band - Vol. 7 - Adrian Taylor
The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.The 2nd parts are written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. 1st parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the two Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and preferably also the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions.
Estimated dispatch 7-14 working days
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£89.99Preludio all' atto I - Giuseppe Verdi
Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skillfully concentrating the main elements of the entiredrama. One can clearly observe the themes of love, oath, and death.
Estimated dispatch 7-14 working days
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