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  • £84.99

    Toccata (Concert Band - Score and Parts) - Monteverdi, Claudio - De Haan, Jacob

    Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintet consisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.Duration: 2:00

    Estimated dispatch 7-14 working days

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  • £89.99

    Preludio All' Atto I (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skilfully concentrating the main elements of the entire drama. One can clearly observe the themes of love, oath, and death.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £49.95

    Minstrel Boy & Toss the Feathers (Violin Solo with Concert Band - Score and Parts) - Wiffin, Rob

    A solo for violin (or soprano saxophone) with band, combining two Irish tunes. The Minstrel Boy is an Irish patriotic song written by Thomas Moore (1779 - 1852) and Toss the Feathers is a traditional Irish folk tune. In this version the two tunes are combined to form a solo for violin with band, also featuring some extended solo-work for the percussion section. It was featured on the RAF Massed Bands Tour 2000 and recorded on Festival of Music 2000 Polyphonic QPRM 136D and Dancing and Drumming Polyphonic QPRM 140D.Duration: 5.42

    Estimated dispatch 7-14 working days

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  • £169.99

    Olympica (Concert Band - Score and Parts) - Van der Roost, Jan

    This "Grand Overture" was commissioned by the "Nagano Community Band" - Japan- on occasion of its jubilee in 1992 and is dedicated to the band's conductor, Ikuo Inagaki. The work is based upon three main themes, each symbolising a certain theme. The first part is characterized by its bright themes played mainly by the brass, accompanied by the woodwinds and festive percussion. This part symbolizes the jubilee which is the origin of the composition. This is followed by a bouncing allegro, in which each register of the band displays brilliant techniques. Especially the woodwinds come to the fore! This movement depicts the industriousness and enthusiasm shown by the members of the "Nagano Community Band" in the carrying out of their hobby. A third, main theme, is choral-like in character and is displayed both in the (soft) brass as well as in the warm medium register of the reeds. Here, nature's beauty in and around the city of Nagano is musically celebrated. Following a "chamber-music episode" (featuring the flute, oboe, clarinet, alto-saxophone and horn) the initial allegro re-occurs, weaving its way towards a grandiose finale, in which the two previous themes are once again apparent. Due to its very colourful scoring and the enormous diversity of musical thoughts and ideas, this composition is a fascinating and memorable piece, worthy a jubilee overture!Duration: 10:15

    Estimated dispatch 7-14 working days

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  • £209.99

    Dunamis (Concert Band - Score and Parts) - Waignein, Andre

    Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignment and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to the full. Based on a very precise rhythm, an idiom of sudden desperation and adversity develops which, fused with a crushing aggression, culminates in a kind of eruption, soon calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds intertwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterised by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £164.95

    ALLEGRETTO AND VIVACE (Concert Band - Score and Parts) - Arnold, Malcolm - Parkes, Peter

    Malcolm Arnold's Second Symphony Op.40 was written in celebration of the Diamond Jubilee of the Bournemouth Municipal Orchestra. The first two movements are featured in this arrangement by Peter Parkes. The Allegretto is in sonata form and expresses the quiet joy of being alive on a fine summer's day. The Vivace is a variation on two chords stated in the first few bars

    Estimated dispatch 7-14 working days

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  • £37.95

    ALLEGRETTO AND VIVACE (Concert Band - Score only) - Arnold, Malcolm - Parkes, Peter

    Malcolm Arnold's Second Symphony Op.40 was written in celebration of the Diamond Jubilee of the Bournemouth Municipal Orchestra. The first two movements are featured in this arrangement by Peter Parkes. The Allegretto is in sonata form and expresses the quiet joy of being alive on a fine summer's day. The Vivace is a variation on two chords stated in the first few bars

    Estimated dispatch 7-14 working days

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  • £332.99

    Cantica de Sancto Benedicto Wind Band Set (Score & Parts)

    Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, where Benedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements of Cantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the other texts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the three movements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor: For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never sounds together with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensional performance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir could also sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately. 0:28:30

    Estimated dispatch 7-14 working days

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  • £64.35

    Liberty Fleet

    It doesn't get any better than to have the wonderful opportunity to hear or perform a classic march composed by the great Karl King. Interesting themes, strong counter-melodies, and tasteful percussion parts are a trademark of his uncanny writing skills. Now add the talents of James Swearingen's arranging skills, and the combination of these two musical giants is the perfect match for achieving a highly successful performance. Two names that you can trust!

    Estimated dispatch 7-14 working days

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  • £67.32

    Sextet from Lucia - Donizetti, Gaetano

    This unique "Gem of the Concert Band" features a brass sextet accompanied by band. A great example of the "bel canto" style of brass performance, your sextet of two trumpets, horn (or trombone/euphonium), two trombones (or euphoniums), and bass trombone will wow audiences! Transcribed from the famous operatic vocal sextet, this brilliant work from the golden age of the concert band is a real crowd-pleaser. Our highest recommendation!

    Estimated dispatch 7-14 working days

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