Energy! - Adrian B. Sims

Like its title implies, this highly aggressive work is based on a combination of invigorating melodies and a relentless rhythmic drive. Musical lines weave throughout the ensemble, soaring countermelodies take center stage, and an increasingly intense final passage takes the piece to an entirely new level. Simply put, this one is full of energy!

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Entry of the Noblemen - Ralph Ford

Proudly the valiant royal knights return to the kingdom. This original work begins and ends with a grand march encompassing an expressive chorale section. The contrasts permit varied teaching opportunities, including breath support, diverse dynamics, and opposing styles and articulations. An impressive choice for your first presentation.

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Entry of the Pendragon - Frank McKinney

Renaissance music for very young bands! In common time with a contrasting 3/4 section, this modal piece will give your beginning group that full band sound. Percussion is scored for bells, tom-tom, bass drum, triangle, crash cymbals, and tambourine.

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Episode II Themes from - John Williams / arr. Robert W. Smith

A delicious medley of three of the dynamic tunes from one of John William's newest film scores are presented at the concert level. Titles include the traditional "Main Title," a most contemporary segment called "The Space Canister Caper," and the refreshing ballad "Across the Stars" (Love Theme from . You just can't go wrong with the music of John Williams scored by Robert W. Smith! (3:21)

Episode III Symphonic Suite from

True to John Williams' original blockbuster film score, this energetic medley arranged in true Robert W. Smith fashion will be as memorable as the film series itself. includes "Star Wars (Main Title)," Revenge of the Sith," "A New Hope," and "Battle of the Heroes." May the force be with you! (7:38)

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Equus - Erik Morales

Equus, Latin for "horse," takes us on a thrilling ride on one of these magnificent animals. Wood blocks help create the sound of the horse as the ensemble comes along for the ride. A serene section at the same tempo almost seems to slow the ride down, so listeners can take the time to appreciate the scenery around them. The opening material then returns as the piece comes to a strong conclusion.

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Ergo - Tyler S. Grant

Solid melodic writing, intense driving rhythms, biting dissonances, powerhouse brass, and percussion scoring along with sweeping woodwinds make this thrilling original work a whirlwind of force from start to finish! by Tyler S. Grant is a great way to show off the range and power of your horns and trumpets. Recorded by the Atlanta Wind Symphony. (3:00)

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Escapade at Twilight - Michael Kamuf

This exciting and bold original new work for developing bands contains lyrical themes, dissonant harmonies, and a sinister development section combined to create a musical story of a late night adventure that's gone . . . well, a little awry! Perfect as an opening or closing selection, your students will enjoy performing this work . . . but let's be careful out there!

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Escape (from )

Also known as "The Pia Colada Song" this Rupert Holmes infectious theme has been included in a variety of film scores including and, most recently, . A timeless feel-good tune that features a solo alto sax or your whole section! (2:00)

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Escape from Dead Raider's Hollow - Jeremy Bell

"Escape from Dead Raider's Hollow" is a fast-paced adventure. Opening quietly, the introduction gradually builds in volume and energy up to a tempo change where the piece takes off and doesn't relent until the end. Combining rhythms of 3 over a pulse of 2 creates a hemiola effect that drives the piece forward, creating a feeling of anxiety and being chased. This is a bombastic, action-packed piece with loud percussive hits, huge brass, and soaring woodwinds that ends with a bang. (2:30)

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