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  • £54.99

    A Holiday Greeting - Platt

    Note: This is a reprint from a vintage publication of 1902. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

    Estimated dispatch 7-14 working days
  • £91.00

    The End of a Love Affair (Flexible Instrument Solo with Concert Band - Score and Parts) - Grottum, Kare - Kjaernes, Bjorn Morten

    Kare Grottum is known to most as a pianist and producer by NRK. He was involved in numerous TV productions, both as producer, musician, composer, and arranger. This tune is taken from a CD released in 1992, Fra en musikers dagbok where he brings with him several Norwegian soloists of international class. It is Erling Wicklund who does a brilliant solo on Flugabone which has also used as a starting point for the written improvisation. The arrangement should be played in a slightly swinging way, but not as much as a jazz waltz. Play with the straight eighths and then let it flow, with a faint two against three feeling, which clearly shows up in some places. If you do not have bassoon and oboe, let alto sax and tenor sax make up the duet from 9. Enjoy! Solo Options: C BC Instruments; Bb TC Instruments; Eb TC Instruments. Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £84.99

    A Taste of Honey Wind Band Set (Score & Parts)

    Ever heard of Tijuana Taxi, Spanish Flea or A Taste of Honey? Even if these names do not ring a bell, everyone has certainly hummed along when hearing these pieces on the radio. These titles were made famous in the 1960s by the trumpeter Herb Alpert and his band Tijuana Brass and are still extremely popular today. This arrangement is full of surprises with exciting fragments, sparkling and catchy passages and colourful instrumentations. A part for electric guitar intensifies the swinging feeling of the piece, but is not obligatory. This arrangement will definitely get the audience in a party mood. 02:50

    Estimated dispatch 7-14 working days

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  • £57.50

    The Path Not Taken - Michael Sweeney

    The image of a path not taken may evoke a sense of mystery and excitement at the unknown, as well as the satisfaction of following our own individual path in life - a unique journey different from all others. This engaging workfor band follows an arc of emotions ranging from the eager anticipation at the start of a journey: frustration and doubt as the path becomes more difficult and perilous: then elation and joy as the goal is reached and our dreamsare realized.

    Estimated dispatch 7-14 working days
  • £74.99

    Forget Me Not, O Lord - Johann Sebastian Bach

    An excellent example of Bach as a song writer. Taken from a volume of sacred songs published in 1736, Bach identifies it as an aria, not as a chorale, and must have thought of it as a lyrical melody to be sung in concert rather than as four square chorale.

    Estimated dispatch 7-14 working days

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  • £71.50

    Dormez Vous? Not You! - Shanley

    Looking for a piece to feature an advanced soloist with your young band? Look no further, because Dormez Vous? Not You! Is the perfect choice! The solo part can be performed by any instrument, and could be used to feature an advanced student, a former student, a fellow music teacher, or a local professional musician. It uses melodic material from "Frre Jacques" ("Are You Sleeping?") along with original jazzy melodies and harmonies. The title very loosely translates to, "Are you sleeping? Well, you won't be after you hear this amazing solo! First rate!

    Estimated dispatch 7-14 working days
  • £57.50

    The Path Not Taken (Concert Band - Score and Parts) - Sweeney, Michael

    The image of a path not taken may evoke a sense of mystery and excitement at the unknown, as well as the satisfaction of following our own individual path in life - a unique journey different from all others. This engaging work for band follows an arc of emotions ranging from the eager anticipation at the start of a journey; frustration and doubt as the path becomes more difficult and perilous; then elation and joy as the goal is reached and our dreams are realised.

    Estimated dispatch 7-14 working days
  • £110.00

    A Fugal Overture (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    Gustav Holst began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture is not strictly fugal. It belongs to the era of neo-classicism, but apparently by coincidence, for Holst had not yet heard some of the Stravinsky and Hindemith works which set this fashion. The fugal subject is full of spiky crossrhythms - Holst grouped the eighth notes (quavers) of his 4/4 into a pattern of 3 + 3 + 2, thus giving a bar of three unequal beats. The piece is intense and exciting, and should make an important addition to the repertoire of the Concert Band.

    Estimated dispatch 7-14 working days

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  • £55.50

    Away in a Manger (Concert Band - Score and Parts) - Ployhar, James D.

    This is not the recognized English tune, but this setting of the heart-warming Christmas carol should not be overlooked. Away In a Manger features lush harmonies with the initial introduction of a charismatic countermelody. Enjoy the charming and unique scoring that makes this a must-have for your Christmas concert.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £84.95

    A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score and Parts) - Holst, Gustav - Brand, Geoffrey

    This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.

    Estimated dispatch 7-14 working days