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  • £16.95

    A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score Only) - Holst, Gustav - Brand, Geoffrey

    This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.

    Estimated dispatch 7-14 working days
  • £59.40

    Forget Me Not, O Dearest Lord - Bach, Johann Sebastian

    An excellent example of Bach as a song writer. Taken from a volume of sacred songs published in 1736, Bach identifies it as an aria, not as a chorale, and must have thought of it as a lyrical melody to be sung in concert rather than as four square chorale.

    Estimated dispatch 7-14 working days

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  • £435.40

    Myth Forest - Hestefallstjnn - A tone poem - Stig Nordhagen

    In the forest, not far from my house is Hestefallstjnn. Hestefallstjnn is a pond, and this music describes the atmosphere and feeling you get when standing close to it.Measure 1Sunburst: The sun rises and rays of light shatter the morning mist.Measure 36Bugs and Birds: Insects small and large come to life, birds are seeking the water.Measure 65Black water abyss: The black and abysmal water holds many secretsMeasure 200Water lilies: Water lilies are rising from the murky water, stretching for the light.Measure 231Echo from the other side (dvergml)The echo does not always send back the answer you want.Measure 296The creatures of the forest are dancing into the night- Stig Nordhagen 2021 -

    Estimated dispatch 7-14 working days
  • £84.99

    IT'S NOT UNUSUAL (Concert Band) - Schwalgin, Stefan

    It's Not Unusual has been a world-wide hit for Tom Jones. Stefan Schwalgin's arrangement has a big band sound with the soullike singing of the original reflected perfectly in the instrumentation

    Estimated dispatch 7-14 working days

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  • £73.00

    Conducting the Music, Not the Musicians

    Conducting the Music, Not the Musicians is the first conductor training text to put the primary emphasis on musical expression as it introduces basic technique through the concept of phrase conducting. Among many unique features it examines cueing within the beat pattern in greater detail than is usual in beginning conducting texts. The examples and exercises (drawn from both the vocal/choral and instrumental repertoires), progress to guided practice chorales and etudes and finally to full score rehearsal and guided performance. Jerry and Henry Nowak have produced a groundbreaking book that will help novice conductors solve technical problems, with musical solutions.

    Estimated dispatch 12-14 working days

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  • £125.00

    English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £41.00

    Not So Silent Night - Anonymous

    Using the basic melodic shape of Silent Night, Sean O'Loughlin has written a lively piece that goes in a quite different, more up-to-date direction than the familiar, refl ective Carol. The noise makers of the percussion section are given a lively role to play, and the introduction, by the low brass, of God Rest Ye Merry, Gentlemen, in the middle of the piece, creates a somewhat ironic twist in this amusing re-imagining of a classic carol.

    Estimated dispatch 12-14 working days
  • £115.60

    What a Difference a Day Made - Stanley Adams

    The Mexican songwriter Maria Grever, wrote the melody in 1934 ("Cuando vuelva a tu lado") and it became a big hit for jazz-singer Diana Washington. Since that, it has been recognized as a jazz-standard and also featured in several movies. This arrangement was originally written for young, Norwegian singer Angelina Jordan. In this version, the level of difficulty and instrumentation are customized to fit our Young Band-series. Included in the set is parts for both string bass and vocals, but they are not compulsory to perform the piece. In this style, the accompaniment will have a slight swinging feel, while some of the contrasting elements has to be performed without swing(Even).

    Estimated dispatch 7-14 working days

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  • £54.99

    A Midsummer Morning - Charles L. Barnhouse

    Note: This is a reprint from a vintage publication of 1902. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

    Estimated dispatch 7-14 working days
  • £54.99

    A Jolly Rover - Fred Jewell

    Note: This is a reprint from a vintage publication of 1905. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

    Estimated dispatch 7-14 working days