Results
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£267.99Between the Two Rivers (Concert Band - Score and Parts) - Sparke, Philip
Between the Two Rivers was commissioned by Fanfare Prins Hendrik, from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work in modern concert band repertoire.Duration: 14:15
Estimated dispatch 7-14 working days
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£110.99Pastime with Good Company (Concert Band - Score and Parts) - Sparke, Philip
The English king, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. As a young man he was a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing and would have been sung as part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.Duration: 6:00
Estimated dispatch 7-14 working days
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£104.99The Spirit of Christmas (Concert Band with Optional Choir - Score and Parts) - De Haan, Jacob
The Spirit of Christmas is a medley of charming Christmas carols, all with an international character. The medley consists of the following five carols: Away in a Manger - The First Noel - It Came Upon the Midnight Clear - O Come, All Ye Faithful and Hark! The Herald Angels Sing. A four-part choir part in English has been added which can be used ad lib. or you can also opt for singing the melody line only, for example with a soloist and/or the congregation. The arrangement is not too high pitched so that the work can also be used in combination with a children's or High School choir.Duration: 4:00
Estimated dispatch 7-14 working days
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£79.99The Magic Flute (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Hannickel, Mike
Themes from the OvertureAny list of Mozart's greatest works should include this overture. Loved by millions, Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone! Skilfully brought to the concert band stage by an arranger who works with young bands daily, this somewhat shortened version of the enigmatic Overture is accessible to young bands, but retains a great deal of authenticity. There is added versatility built into this arrangement. A nice performance is possible by using a complete Woodwind section and a Timpanist only. Inspiring!Duration: 3.45
Estimated dispatch 7-14 working days
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£118.99Elisabeth (Concert Band - Score and Parts) - Levay & Kunze - De Meij, Johan
The world premiere of the musical Elisabeth took place in Vienna on September 3, 1992. From the great acclaim with which the musical was received, it became clear that the life of the Empress of Austria still appeals to the imagination. Although Elisabeth's life (1837-1898) as an Empress has a fairy-tale-like beginning, it takes a gloomy turn. In this production, Luigi Lucheni, the man who finally takes her life, tells her story. Death plays a major role throughout Elisabeth's life. In the musical, an equally mysterious and attractive man portrays the phenomenon of death, seducing her to the realm of death time after time. Elisabeth's life resembles a fairy tale when she marries the Emperor Franz Joseph at the age of sixteen. Her mother-in-law, Archduchess Sophie, does not make it easy on Elisabeth. But it is life itself that puts the Empress to the test. First, her youngest daughter dies. Then, not long after her son Rudolf is born, her happiness is clouded when her mother-in-law decides she must take pity on him. After her husband's unfaithfulness and Sophie's death, Elisabeth is so disillusioned that she chooses a travelling existence without realizing her husband and her son, Rudolf, miss her. Rudolf's loneliness is one of the reasons he commits suicide. The accumulation of disappointments in Elisabeth's life almost drives her into the arms of Death. In the end, however, it is Lucheni who kills her.Duration: 8.30
Estimated dispatch 7-14 working days
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£148.00La Quintessenza (Concert Band - Score and Parts) - De Meij, Johan
La Quintessenza is a musical approach of the quintessence, the heart of the matter. By focusing a five note motif in a number of variants, De Meij tries to get through to the essence of the musical matter. The core of the composition is a lyrical middle part (Arioso), preceded by an opening fanfare for brass (Introduzione) and a burlesque variant on the same motif (Capriccio). In the fourth part (Alla Marcia) this main motif is only used as an ambient signal, and in the Finale the opening theme is repeated so the musical walk-round is complete. Duration: 12.00
Estimated dispatch 7-14 working days
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£149.99Nemu-Susato (Concert Band - Score and Parts) - Van der Roost, Jan
Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names 'Nemu no Sato' and 'Susato' into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor and speaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997.Duration: 6.00
Estimated dispatch 7-14 working days
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£74.99Vivo Per Lei (Concert Band - Score and Parts) - Stalman, Wim
A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.Duration: 4:30
Estimated dispatch 7-14 working days
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£189.99Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric
Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.
Estimated dispatch 7-14 working days
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£94.99
Conzensus (Concert Band - Score and Parts) - Van der Roost, Jan
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept. The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle is thus immediately indicated. The richness of colour of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.Duration: 2:30
Estimated dispatch 7-14 working days
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