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  • £64.35

    Double Concerto - Vivaldi, Antonio

    This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a "chamber wind ensemble" of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!

    Estimated dispatch 7-14 working days

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  • £139.99

    Firework (Concert Band - Score and Parts)

    Firework is a composition commissioned by Musikkapellen Energie-AG and Magistratskapelle Stadt Linz.This sparkling work shows that from time to time Thomas Doss is happy to produce music of sheer entertainment.Fireworks are always joyful and festive. Whether big or small, we all love watching fireworks. In this piece of music, the audience experiences not so much a visual feast as a spectacle in sound--a star-burst of colourful melody and rhythm that guarantees high spirits and a good mood. 07:00

    Estimated dispatch 7-14 working days

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  • £24.95

    MASS OF ST. THOMAS AQUINAS (Choir/Prestige Concert Band Choir - SATB Pack of 10) - Ellerby, Martin

    10 copies of SATB Part. Written for SATB (choir with divisions) and accompanying concert band, this new departure for the composer has resulted in a work of unusual beauty and will help bring together various musical departments for a joint collaboration. There are five contrasting movements ranging from a gentle 'Kyrie' into a rhythmically active 'Gloria', through a sensitive 'Sanctus' and a dramatic and cheerful 'Benedictus' before closing with a serene and touching 'Agnus Dei'. The work has been written at a level so that competent choirs and bands can deliver a thrilling and moving performance by turn. American Grade 4 Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £2.95

    MASS OF ST. THOMAS AQUINAS (Choir/Prestige Concert Band Choir - SATB) - Ellerby, Martin

    SATB Part. Written for SATB (choir with divisions) and accompanying concert band, this new departure for the composer has resulted in a work of unusual beauty and will help bring together various musical departments for a joint collaboration. There are five contrasting movements ranging from a gentle 'Kyrie' into a rhythmically active 'Gloria', through a sensitive 'Sanctus' and a dramatic and cheerful 'Benedictus' before closing with a serene and touching 'Agnus Dei'. The work has been written at a level so that competent choirs and bands can deliver a thrilling and moving performance by turn. American Grade 4 Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £19.95

    MASS OF ST. THOMAS AQUINAS (Choir/Prestige Concert Band Choir Extra Score) - Ellerby, Martin

    Extra Score. Written for SATB choir (with divisions) and accompanying concert band, this new departure for the composer has resulted in a work of unusual beauty and will help bring together various musical departments for a joint collaboration. There are five contrasting movements ranging from a gentle 'Kyrie' into a rhythmically active 'Gloria', through a sensitive 'Sanctus' and a dramatic and cheerful 'Benedictus' before closing with a serene and touching 'Agnus Dei'. The work has been written at a level so that competent choirs and bands can deliver a thrilling and moving performance by turn. American Grade 4 Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £99.95

    MASS OF ST. THOMAS AQUINAS (Choir/Prestige Concert Band Choir Set) - Ellerby, Martin

    Score and Parts. SATB parts available separately. Written for SATB choir (with divisions) and accompanying concert band, this new departure for the composer has resulted in a work of unusual beauty and will help bring together various musical departments for a joint collaboration. There are five contrasting movements ranging from a gentle 'Kyrie' into a rhythmically active 'Gloria', through a sensitive 'Sanctus' and a dramatic and cheerful 'Benedictus' before closing with a serene and touching 'Agnus Dei'. The work has been written at a level so that competent choirs and bands can deliver a thrilling and moving performance by turn. American Grade 4 Duration: 14:30

    Estimated dispatch 7-14 working days

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  • £54.99

    Onward! Wind Band Set (Score & Parts)

    A brief history: Pentecost Monday was a special day for schools in Yorkshire (England). There were a variety of activities. The pupils of Sabine Baring-Gould would meet with the children of a nearby village. It seemed like a good idea that during the walk would be sung. But she could not find a suitable song and decided to write one by herself. "Onward Christian Soldiers" was the result. It soon became very popular, though she herself was not entirely satisfied with the rhyme scheme. The melody used (St. Gertrude) was by the famous English composer Sir Arthur S. Sullivan. Back to now: Gawan Roberts, has given the hymn a proper update. He gave the still popular song a solid rock beat and added daring harmonies. So it's popular, for current generations, again for years. Onward! 01:45

    Estimated dispatch 7-14 working days

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  • £144.99

    Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20

    Estimated dispatch 7-14 working days

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  • £144.99

    Suite Marchigiana (Concert Band - Score and Parts)

    According to a famous statement by Herder, folk songs represent the archives of a nation's knowledge, the expression of its heart and theimage that reflects its history and identity. Suite Marchigiana is a three movement piece, inspired by folk songs from the Marche in central Italy, a region with a very ancient and rich folkloristic heritage. The first movement elaborates on the well-known Pasquella. The Pasquella comes from a traditional winter begging ritual where a group of musicians go from house to house singing verses, wishing their audience good health, wealth and abundance, in return for small amounts of money, food and wine. The second movement is an Andante Triste inspired by an old song called Sona la mezzanotte (The Clock Strikes Midnight), a melancholic song that reminds us of unhappy love stories, bereavement, and so on. Luciano Feliciani concludes the suite with the Saltarello Marchigiano, which is bright and sparkling, and therefore in complete contrast with the previous movement. Although unproven, the Saltarello is thought to have its origins in the 'saltatio' (a latin dance). While the choreae were group dances, circular in structure and with a rhythmic progression, the saltationes were more lively in character. The fast, frenetic and joyous saltarello was without any doubt the most famous musical expression of rural central Italy in the nineteenth century. 10:20

    Estimated dispatch 7-14 working days

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  • £70.00

    WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline

    Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions

    Estimated dispatch 7-14 working days