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£44.55Winchester Chronicles (Concert Band - Score and Parts)
Another very strong concert or contest overture from the composer of "Abington Ridge", Brandon Bay", "Oxford Pointe" and many other quality young band pieces! "Addison Way" starts off with a lively allegro section that contains all of the appeal that has made this composer so popular. A charming section in 3/4 provides the contrasts that make this such a delightful piece for Jr. High and Middle School bands. Playable yet challenging for younger players. A Guaranteed Winner!
Estimated dispatch 7-14 working days
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£73.50First Winter Suite - Tyler S. Grant
is a "must-have" for your beginning band library! Tyler S. Grant has crafted a miniature suite of four pieces that are engaging, fun, and practical for their first winter concert! Using only a few-notes and playable with as few as four instruments (flute, clarinet, trumpet, and trombone), the suite includes: Season's Sounding Fanfare * Roof Riffs (based on "Up on the Housetop") * Escaping the Snowman (Percussion Feature) * and A New Year's Finale (Auld Lang Syne). Each movement is only 20--25 measures. You can supplement the suite with other band selections, chamber groups, or lines from their method book to craft a well-rounded program for all to enjoy! Also included---supplemental percussion parts, play along tracks, and so much more!Original Item#: TSG-B034
Estimated dispatch 3-5 working days
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£53.95Comet Ride - Brian Balmages
Based on the Deep Impact mission in which scientists crashed a probe into a comet at approximately 23,000 mph, the composer writes, "So what would it be like if someone could actually grab on to one of these comets and take a ride through the solar system?" Conveying that very feeling, the work begins with a sighting of the comet, then takes off on a wild roller-coaster ride, including glimpses of the sheer beauty of outer space. Hold on for the ride of your life!
Estimated dispatch 3-5 working days
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£73.50The Typewriter - Leroy Anderson / arr. Floyd E. WerlĂ©
Leroy Anderson's music is always infectious and compelling. This wonderful flourish celebrates the clunky office machinery of yesteryear. You may have to teach a little history to your students so that they actually understand what a manual typewriter sounds like. It's a zany sound but the enthusiasm is unmatchable. Your percussionists will love the challenge. This Floyd Werle arrangement is freshly engraved with a full score and brand new parts!
Estimated dispatch 3-5 working days
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£55.50The Star-Spangled Banner
With lush textures, this setting is perfect for performance on the stage or outdoors as a band-only setting or with any of Russell Robinson's industry standard choral voicings: SATB (00-SV9722), 3-Part Mixed (00-SVM03013), SSAA (00-SVM01013), TTBB (00-SV9913), and 2-Part (00-SVM05042). The setting is so versatile it also works as a woodwind sextet or a brass quintet for instrumental performance or as an accompaniment. A must-have in every library! (1:15)
Estimated dispatch 3-5 working days
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£49.95Harbinger - Robert Sheldon
A harbinger signals the approach of something, so this piece would be a terrific way to begin your next concert! This exciting piece for young band has all the drama and intensity of a much more advanced piece, but is playable by less experienced musicians. Soaring melodies contrast rhythmic pulses to create a musical landscape that will inspire the players as well as the audience. (2:15) Correlates to Book 1, Level 5. This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£87.50In the Center Ring - Robert Sheldon
"In The Center Ring" was written in the autumn of 2003 for the Upper Antioch Grade School Band from Antioch, Illinois, Earl Bush, director. The piece is a musical snapshot of a circus performance, from the madcap antics of the jugglers and clowns to the elegance of the high-wire and trapeze performers. This wild musical romp is certainly a technical challenge, but is also great fun for the performer and listener alike. Above all, remember this is a theatrical piece - so emphasize the dynamics, bring out the inherent comedy and have FUN! This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£76.95I Got Plenty o' Nuttin' - George Gershwin / arr. Douglas E. Wagner
This cherished Gershwin melody from is a certain audience and band pleaser. The accompaniment is playable by less-experienced ensembles, and what a wonderful way to feature a male or female vocalist. Optional parts for solo trumpet or solo alto saxophone are also included, so you can be creative with featuring a variety of soloists. Musical through-and-through! (2:46)
Estimated dispatch 3-5 working days
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£50.50Warlock - Kevin Kaisershot
provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass, or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation. A warlock is a male who practices witchcraft. This little tonal caricature by Kevin Kaisershot seeks to musically portray this enigmatic character in a somewhat less than frightening way. The tritone and its usage in the Middle Ages was forbidden, but today has become more associated with its rather "devious" sound and pops up every so often in music of that nature. The opening is that of the shroud of mystery surrounding the character. The main body of the piece is the swirling cone of energy that the character possesses, and the waltz section is a dance related section containing a bit of devious comic relief.
Estimated dispatch 3-5 working days
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£79.50Pomp and Circumstance March No. 4 - Edward Elgar / arr. Alfred Reed, M.J. Retford
Of all four marches that came after the overwhelmingly successful No. 1, March No. 4 seems to many people to be most closely related in general effect to the first. Just why this should be so is difficult to say. All five of the Pomp and Circumstance Marches are cast in basically the same form, a two-part A-B-AB, with the "A" part energetic and moving briskly along, and the "B" bringing a change of feeling (even though no actual change of pace is indicated) with the so-called "great tune" by way of contrast. However, it has become almost a tradition with Nos. 1 and 4 to play the final section in a slower tempo, probably in respect of Elgar's tempo marking "Grandioso" at this point. Certainly both of these "great tunes" could, and have, been considered as portraying musically the very essence and glorification of British majesty and power at the time they were written.
Estimated dispatch 3-5 working days
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