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£76.95I Got Plenty o' Nuttin' - George Gershwin / arr. Douglas E. Wagner
This cherished Gershwin melody from is a certain audience and band pleaser. The accompaniment is playable by less-experienced ensembles, and what a wonderful way to feature a male or female vocalist. Optional parts for solo trumpet or solo alto saxophone are also included, so you can be creative with featuring a variety of soloists. Musical through-and-through! (2:46)
Estimated dispatch 3-5 working days
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£62.95Shine Bright - Patrick Roszell
This version of by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This musical upbeat celebration of life was inspired in part by the John Steinbeck quote in , "It's so much darker when a light goes out than it would have been if it had never shone." Beyond the brief introduction with flute solo, the piece is persistently bright and charismatic. by Patrick Roszell can be used at any event, including graduations, concerts, or contests throughout the year. (3:15)Percussion Accompaniment Track Downloads: . .
Estimated dispatch 3-5 working days
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£45.95First Concert Parade - John O'Reilly
Here's a whimsical concert march your beginning band will be ready to perform after only a few weeks! John O'Reilly has taken four of the beginning band repertoire's "greatest hits" including "Hot Cross Buns," "Lightly Row," "Go Tell Aunt Rodie" and "Merrily We Roll Along" and cleverly worked them into a delightful medley, ideal for your band's very first concert! The familiar tunes work their way throughout the band so each section gets a shot at the melody! (Easy)
Estimated dispatch 3-5 working days
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£66.95Sousa Palooza - John Philip Sousa / arr. Michael Story
During his career, Sousa composed more than 130 marches with a wide variety of styles. contains only nine! Can you name them all? Musical fragments of these cherished marches are masterfully combined with traditional fervor and even a bit of musical humor. A wonderful opportunity to program a work that embraces so much of the contemporary concert band's musical heritage. Bravo! This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£87.50Kensington Celebration - David Marlatt
by David Marlatt is an overture depicting the anticipation and excitement about a journey. This traveling could be to a holiday destination, meeting a friend or family member, or to a specific event. This kind of adventure has so much to look forward to with many unexpected twists and turns along the way. This piece provides the opportunity to showcase all sections of the band as well as some solo moments for alto sax, trumpet, flute, oboe, and baritone. Energetic outer sections surround a reflective and calm middle. (6:00)
Estimated dispatch 3-5 working days
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£79.50Pomp and Circumstance March No. 4 - Edward Elgar / arr. Alfred Reed, M.J. Retford
Of all four marches that came after the overwhelmingly successful No. 1, March No. 4 seems to many people to be most closely related in general effect to the first. Just why this should be so is difficult to say. All five of the Pomp and Circumstance Marches are cast in basically the same form, a two-part A-B-AB, with the "A" part energetic and moving briskly along, and the "B" bringing a change of feeling (even though no actual change of pace is indicated) with the so-called "great tune" by way of contrast. However, it has become almost a tradition with Nos. 1 and 4 to play the final section in a slower tempo, probably in respect of Elgar's tempo marking "Grandioso" at this point. Certainly both of these "great tunes" could, and have, been considered as portraying musically the very essence and glorification of British majesty and power at the time they were written.
Estimated dispatch 3-5 working days
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£66.95Fanfare and Salutation - Roger Cichy
A wonderful work for a concert opener or closer. The form of the work is a fanfare followed by a rhapsody. After the main theme is established in the opening fanfare, the mood becomes quite calm while the second and third themes are announced in the lower voices. The exciting conclusion uses all three themes in counterpoint, illustrating why Mr. Cichy is becoming so popular today.
Estimated dispatch 3-5 working days
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£60.50By THAT Much - Jeff Smallman
In the tradition exemplified by Mozart in his "Musical Jokes", Jeff Smallman has written a work for band that should bring a smile to every face. As all conductors know, not every player in a band learns at the same speed and, therefore, mistakes are bound to happen. For your enjoyment, By THAT Much has already provided a plethora of typical (and not so typical) mistakes for players of every age to make.
Estimated dispatch 3-5 working days
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£58.50The Frog and the Crow - Jeff Smallman / arr. David Marlatt
This is a fun and light change of pace in a concert. The Frog and the Crow was originally a choral piece that was so popular, a band version was demanded. It is sub-titled "A Riverside Hoe-Down" and there are interesting parts for all. This tune is fun for both players and audiences.
Estimated dispatch 3-5 working days
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£74.95
Sonata for Clarinet No.2 in Eb - Score and Parts - Johannes Brahms
This clarinet sonata was composed in 1894 for clarinetist Richard Mu?hlfeld. This was an interesting time in Brahms' life as he vowed he would retire from composing in 1890 but after he heard a performance of the Weber clarinet concerto No.1 and the Mozart clarinet quintet he so admired the soloist that he felt he should come out of retirement and compose 2 clarinet sonatas for him. These were completed in 1894 and first performed in a private concert in September of that year. These 2 sonatas were the last chamber pieces he composed before his death.
Estimated dispatch 7-14 working days
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