Results
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£125.00Bite the Bullet (Concert Band - Score and Parts) - Machain, Jorge
Bite the Bullet by Mexican-American composer Jorge Machain was named 2019-2020 winner of acclaimed The American Prize for music, in addition to being a finalist in the 2018 NBA Revelli competition. The work was inspired by a painting by Venetian artist, Carlo Marchiori, which depicts two Pulcinelli (Venetian clowns) engaged in a gun battle. As the bullets meet in the middle of the scene, a colorful and vibrant cloudburst is created. Using a unique sonic colour scheme, the brass and percussion portray the gunshots, while the woodwind flourishes emulate the painter's vibrant brush strokes. Duration: 7.00
Estimated dispatch 7-14 working days
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£69.99Watermelon Sugar (Flexible Ensemble - Score and Parts) - Sheppard, Mike
Watermelon Sugar was the summer hit of the year 2020. It is a song by the British singer-songwriter Harry Styles, who felt inspired by the title of the American novel In Watermelon Sugar (1968) by Richard Brautigan. The melody of the chorus had already taken form during 'Live on Tour', the debut tour that Styles embarked on in September 2017, finishing in July the following year. On a free day, Harry and his band went to The Cave Studio in Nashville, where they created the chorus melody. It is said that the song is about Styles' ex-girlfriend Camille Rowe. Mike Sheppard arranged this catchy tune for a flexible (six-part) ensemble as a lasting memory of the extraordinary year 2020. Duration: 3.00
Estimated dispatch 7-14 working days
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£42.50This Land (from The Lion King) (Concert Band - Score and Parts) - Zimmer, Hans - Longfield, Robert
Along with the familiar songs by Elton John, the soundtrack music by Hans Zimmer played an integral role in setting the mood for Disney's The Lion King. Here are powerful themes from the movie skillfully arranged for beginning players by Robert Longfield.
Estimated dispatch 7-14 working days
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£284.99Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
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£81.20Flying Fortress (A Fanfare for Band) (Concert Band - Score and Parts) - Smith, Robert W.
This stunning fanfare by veteran composer Robert W. Smith was inspired by the historic and legendary Boeing B-17 aircraft used by the United States Army Air Corps in World War II. Beginning with a powerful timpani statement, the brass section responds with a bold introductory theme. Strong melodic lines interacting with woodwind flourishes make this piece sound more mature and difficult than the grade level indicates. We highly recommend this majestic fanfare for any concert, festival or ceremonial performance! Duration: 2.00
Estimated dispatch 7-14 working days
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£72.99Sea of Clouds (Concert Band - Score and Parts) - Buckley, Robert
3rd Movement of The Seas of the Moon. The third movement of Robert Buckley's grandly cinematic suite describing impressions of the "seas" of the moon, Sea of Clouds was inspired by a series of paintings done by Claude Monet in the London fog. Monet captured the gradations of light as it was affected by fog with ghostly images sifting through. This movement is mostly subdued and dreamlike, the music ebbing and flowing and eventually building to a vast wall of sound and then dissolving into silence. Duration: 5:00
Estimated dispatch 7-14 working days
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£59.99Can You Feel the Love Tonight (Flexible Ensemble - Score and Parts) - John & Rice - Jeanbourquin, Marc
Can you feel the Love Tonight from Disney's iconic Lion King was written and performed by Elton John. This all-time Disney Classic was arranged for flex-band by Marc Jeanbourquin, who made sure it can be performed by nearly any size and level of ensemble.Duration: 3.00
Estimated dispatch 7-14 working days
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£52.95Animal Parade (Concert Band - Score and Parts) - Bernotas, Chris M.
Imagine a procession of creatures from the wild kingdom marching by as you perform this fun-filled piece. Birds float by, followed by the clip-clops of the approaching horses, mighty elephants, and a brief appearance of lions as the parade ends.
Estimated dispatch 7-14 working days
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£59.99Red River (Concert Band - Score and Parts) - Wiffin, Rob
Red River is a piece full of raw energy. The title is about the feeling engendered by the name rather than a reference to a specific place. In the composer's mind it is a river coloured red by the dust of the earth in a hot, sun-drenched landscape. Full of fiery rhythmic drive and syncopation carried along by Latin percussion, performers will enjoy the vigour and verve of the music. Duration: 4.20
Estimated dispatch 7-14 working days
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£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
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