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£94.99Children's Oak (Concert Band - Score and Parts) - Deleruyelle, Thierry
Children's Oak was commissioned by the wind band from Beauquesne, France. This solemn work pays homage to a city particularly affected by the two World Wars and is inspired by the knowledge that the city of Beauquesne needed to recover from these terrible episodes in its history. The title has its origin in the roots of the word "Beauquesne", the beautiful oak tree. It is a beautiful slow piece for your concert, or as a resource to work on phrasing and intonation, or alternatively as a warm up piece. Duration: 5.00
Estimated dispatch 7-14 working days
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£75.00How Great Our Joy! (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
How great our joy! is a traditional German carol which has been interpreted by John Rutter and arranged for combined Concert Band and Chorus by Paul Noble. The piece may be performed also by band alone. The piece is relatively easy to perform, straightforward with four verses and no key changes.
Estimated dispatch 7-14 working days
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£195.00High Flight (Concert Band - Score and Parts) - Turrin, Joseph
A monumental work from the pen of Joseph Turrin, High Flight was commissioned by the United States Air Force Band and is dedicated to the American pilots who fought in the Spanish Civil War (1937-1939). Stunning passages and masterful orchestrations characterize this multifaceted composition as motifs are developed and the emotional pacing unfolds. Inspired by the poem "High Flight" by pilot Gillespie Magee. Duration: 12:00
Estimated dispatch 7-14 working days
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£42.50Kingsfold (Concert Band - Score and Parts) - Vinson, Johnnie
The haunting melody of this traditional tune likely dates to the Middle Ages, and was published by British composer Ralph Vaughan Williams in the 1906 English Hymnal. Freely adapted by Johnnie Vinson in this setting for young bands, the minor melody is stated first by low clarinets and horns. The next section introduces an original theme, which is then combined with the first melody in the moving final section. Beautifully paced and scored largely in choral fashion, this is a wonderfully fresh and unique offering.
Estimated dispatch 7-14 working days
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£79.99Gloriana (Concert Band - Score and Parts) - Bocook, Jay
Commissioned by Furman University for the inauguration of its 12th president, Jay Bocook's Gloriana is based on The Faerie Queene, an incomplete English epic poem written by Edmund Spenser and dedicated to Queen Elizabeth I. In the poem, Queen Elizabeth is represented as the faerie queene herself, Gloriana. This stately work for winds and percussion has a regal quality enhanced by soaring melodies and punctuated with fanfare-like brass figures. The optional organ part provides an added dimension to the overall uplifting effect.Duration: 3:20
Estimated dispatch 7-14 working days
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£89.99The Last Centaur (Concert Band - Score and Parts) - Galante, Rossano
Composed in the style of a grand and descriptive film score, The Last Centaur is a musical depiction of a centaur who is separated from his family by war, the ensuing adventures, and ultimate reunion with his family and friends. The music begins with a stately, lyrical theme in the horns followed by solo oboe. This main theme is then woven throughout the work as it develops and grows with intensity. Sweeping woodwind lines and majestic brass fanfares capture the excitement of the drama and ultimate joyous resolution. Powerful and evocative writing! Dur: 6:00 (Recorded by the West Genesee (NY) High School Wind Ensemble - Andrew Perry, conductor)
Estimated dispatch 7-14 working days
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£59.99Firefly (Concert Band - Score and Parts) - Dobson, Simon
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes.
Estimated dispatch 7-14 working days
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£60.99Arikara (Concert Band - Score and Parts) - Meredith, James
Inspired by the Arikara (uh-RIK-a-RAH) tribe of Native Americans based in North Dakota, this work by James Meredith is an evocative piece without portraying any specific event or story. Opening with a plaintive flute solo supported by an exotic percussion backdrop, the piece features a chorale-like statement in the winds before moving to the faster and more rhythmic main section. Mixing early American imagery with striking dissonances, this is an effective and unique offering with limited technical demands.Duration: 4:50
Estimated dispatch 7-14 working days
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£72.99Forever Free (Fanfare-Overture for Band) (Concert Band - Score and Parts) - Fuchs, Kenneth
Commissioned to celebrate the sesquicentennial of the state of West Virginia, Forever Free incorporates indigenous elements of the state's musical heritage, capturing a robust and celebratory spirit. Cast in a single movement in three sections, the title is inspired by the state motto, "Montani semper liberi" ("Mountaineeers forever free"). The work is unified at the outset and closing by a ceremonial fanfare that is based on thematic figures from the state song West Virginia Hills. A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence, before all thematic elements are combined for the buoyant and festive conclusion.Duration: 4:30
Estimated dispatch 7-14 working days
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£450.00Henry V, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
The Suite from Henry V is an arrangement for Concert Band and optional narrator, adapted from the 1963 orchestral arrangement of William Walton's musical score from the 1944 film Henry V. The suite, originally arranged for orchestra by Muir Mathieson, is in five movements, and occupies a very significant role in the history of music and of Shakespearean studies. Performances exist in a variety of formats because the adaptation of the narration to a film suite is subject to choice. To be chronologically correct, the order of movements from the original suite has been altered to adhere to the narration of the play. And the choice of speeches has required considerable research by classicists who are familiar with the writings of Shakespeare. It has been the endeavour of this arranger to research and present this suite in as authentic a manner as possible, understanding that it might well become the standard by which Concert Bands of the future will adapt and present this music. The arranger is indebted to Anna Warren, a resident of Twickenham and a graduate in Modern Languages (French and Italian) and History from the University of Bristol and a postgraduate from The Institute of Education, the University of London, for her knowledge and insight into the formation of the narration.
Estimated dispatch 7-14 working days
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