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  • £75.00

    See, Amid the Winter's Snow (Concert Band with Optional Choir - Score and Parts) - Goss, John - Noble & Willcocks

    See, amid the Winter's Snow, also known as Hymn for Christmas Day and The Hymn for Christmas, is an English Christmas carol. It was written by Edward Caswall (1814-1878), with music composed by Sir John Goss (1800-1880). This stunning setting by David Willcocks is included in his Carols for Choirs 1 (#33), on which this arrangement is based. This represents one of the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £110.00

    Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul

    For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.

    Estimated dispatch 7-14 working days

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  • £150.00

    Three Sisters (Dream Sequence) (Concert Band - Score and Parts) - Walton, William - Noble, Paul

    Three Sisters is a 1970 British drama film starring Alan Bates, Laurence Olivier and Joan Plowright, based on the 1900 play by Anton Chekhov. Olivier also directed, with co-director John Sichel; it was the final feature film directed by Olivier. The film was based on a 1967 theatre production that Olivier had directed at the Royal National Theatre. William Walton produced the film music using themes by Tchaikovsky, from the official national anthem of the Russian Empire in 1833 - 1917, God save the Tsar!, (the music of which is also included in several hymnals as 'God, the Omnipotent'), and which he featured in his 1812 Overture, to a charming imitation Swan Lake waltz. The original theme for Three Sisters has reappeared as contemporary stage plays and musicals, which are still active today. This short, descriptive arrangement offers an accessible opportunity for bands to experience tuneful music of the period.

    Estimated dispatch 7-14 working days

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  • £75.00

    Zion Hears the Watchmen's Voices (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Rutter

    Zion Hears the Watchmen Singing (Zion hrt die Wchter singen) is the fourth of seven movements of Bach's cantata Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake. It is regarded as one of his most mature and popular sacred cantatas. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in this arrangement in unison principally by the woodwinds. Bach composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £57.50

    Pop! (Concert Band - Score and Parts) - Olson, Tawnie

    Inspired by the ever-popular snack, Pop! is a grade 3 band piece by composer Tawnie Olson that imitates the sounds popping popcorn beginning with that first, single kernel to the exploding sounds of an overflowing pot. Through the use of imitation, additive processes, playful articulation, and the development of tune fragments, Olson crafted a piece that is relatable and great fun to play. Pop! also has an aleatoric passage that gives young performers the opportunity to co-compose by improvising sounds that suggest of pop of popcorn in the making.

    Estimated dispatch 7-14 working days
  • £68.99

    Marchalade (Concert Band - Score and Parts) - Riedemann, Peter

    Marchalade is a straightforward, refreshing new march by Peter Riedemann. Following a compelling introduction, the descant presents a light, playful theme, which is repeated with a legato countermelody in the tenor register. The second reprise is characterized by the alternation of descant and bass. The trio part is initially played cantabile, followed by a bold marcato repetition. Duration: 2.40

    Estimated dispatch 7-14 working days

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  • £169.99

    The Mystery of Light (Nightlights) (Concert Band - Score and Parts) - Schwarz, Otto M.

    Light, sun, moon, stars: there has always been a connection to faith, the occult and mysticism. Different constellations were supposed to predict the future, and some phenomena have been interpreted as punishment by different Gods. From sunrises and solar eclipses, through rainbows, the scattering of light, sunset in the daytime, moonrises, the northern lights, the new moon, crescent moons and stellar constellations, to shooting stars... our observations encompass all this and much more. The Mystery of Light is the first of a series of pieces with the same theme. Nightlights deals with lights of the night: created partly by nature and partly by man himself and consists of three movements: Opener and Star Shower, Lunar Eclipse and Aurora and Fireworks.Duration: 13.15

    Estimated dispatch 7-14 working days

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  • £119.99

    Ponte Vecchio (Trumpet, Alto Sax or Euphonium Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi

    This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. The solo part can also be performed on euphonium or alto saxophone.

    Estimated dispatch 7-14 working days

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  • £76.95

    The Mountain (Concert Band - Score and Parts) - Oliva & O'Neill - Megaw & Phillips

    Great for the holidays like all Trans-Siberian Orchestra pieces, yet based on classical music, so also fitting for any pops concert! Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In the Hall of the Mountain King" by Edvard Greig, this energetic setting of beloved favourites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the string arrangement by the same name for a joint performance. A compelling and unique addition to your holiday program or any pops concert.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £140.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)

    Estimated dispatch 7-14 working days

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