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£129.99Canzona di Bacco (Concert Band - Score and Parts) - Waespi, Oliver
This piece comprises a series of variations on the melody of Ami, dans cette vie (Friend, in this life), an 18th century French song. Like the famous poem Canzona di Bacco by Lorenzo de Medici, this song invites the listener to enjoy life, friendships, love and wine while there is still time to do so. The epicurean nature of this text contrasts with a deeply melancholic melody, a contradiction which is explored in the present work. After a somewhat turbulent first part, the original melody is revealed in a serene and pensive middle section which highlights several soloists. In the last movement, the atmosphere is transformed to become increasingly exuberant, like a Bacchus incantation. The piece concludes with a final dazzling statement of the original theme.Duration: 11.15
Estimated dispatch 7-14 working days
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£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
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£149.99Aureus (Concert Band - Score and Parts) - Roels, Stijn
This composition was written on the occasion of the golden jubilee of the De Pinte wind band. This is also the derivation of Latin title Aureus (golden - from the word aurum, or gold). This work is comprised of three main sections. The first and last sections are predominantly a musical setting of the concepts of celebration and joy in keeping with the theme of jubilee. The music is therefore above all dynamic, energetic and extrovert. The middle section has a more introspective, melodic character, contemplating the subtle beauty of life. Aureus is a newly composed chorale that establishes the most important attributes in life and also within a club or association: love, friendship, health and happiness.Duration: 10:00
Estimated dispatch 7-14 working days
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£202.99Captain Marco (Concert Band - Score and Parts) - Hirose, Hayato
Hayato Hirose composed this dramatic piece based on the great journey of Marco Polo, Italian traveller and one of the first Europeans ever to visit Asia. In the 13th century, he made a long journey from Venice to Mongolia with his father. After his arrival, he was sent to the various regions in Asia by the Mongolian government to take notes about the culture, the people, and the way of life in those areas. Celebrate the life of this great explorer with this dynamic new concert work.Duration: 10:15
Estimated dispatch 7-14 working days
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£139.99Story of a Village (Concert Band - Score and Parts) - Waignein, Andre
This work relates the story of Maasbracht, a town on the banks of the Meuse River in the Dutch province of Limburg. Like all fairy tales, the story begins serenely with ?Once upon a time?? The music evokes the atmosphere of this very pleasant region, where the gentle way of life is the key to happiness. A lively and joyful passage depicts the cheerfulness of the people of Maasbracht. Maasbracht, like many other towns, suffered during World War II: sound colours darken and pictures of destruction run through our mind. In the midst of despair there is hope, from grief comes new life. The future looks promising. The work leaves Maasbracht, looking forward to the 21st century with confidence. A highly descriptive work that is suitable for any concert or contest situation.Duration: 10:00
Estimated dispatch 7-14 working days
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£137.00
L'Arco Della Vita - Holsinger
Composer David Holsinger's insightful view of the "Arc of Life" is brought to musical life with L'Arco Della Vita. Departing from usual compositional styles, this work is set on the framework of piano and melodic percussion, presenting a series of ever-winding variations and subsequent vanishing end which provide a musical experience unlike any other. Challenging, but musically rewarding, L'Arco Della Vita utilizes the total soundscape of the concert band. A thought-provoking and engaging work from a master composer!
Estimated dispatch 7-14 working days
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£139.99Country Scenes - Hans Aerts
Country Scenes takes us back to the early English settlements on the American east coast. The opening section, Daybreak, depicts daybreak in a small village where people go about their daily business. In the second movement, Procession, we hear a stately and elaborate funeral march that symbolises the intertwining of religion with everyday life. The closing section, Village Dance, which is written in rondo form, brings the lively atmosphere of a village festival to life.
Estimated dispatch 7-14 working days
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£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
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£84.99Bread and Games - William Vean
'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.
Estimated dispatch 7-14 working days
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£225.00Five Variants of Dives and Lazarus (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
Five Variants of Dives and Lazarus is a Concert Band arrangement from the original work for string orchestra and harp by Ralph Vaughan Williams. The composition is based on the folk tune Dives and Lazarus, one of the folk songs quoted in Vaughan Williams' English Folk Song Suite. The ancient theme on which these variations are based goes back to the sixteenth century, and is known by various titles. Dives and Lazarus is a story told by Jesus in the Gospel of Luke. It tells of an unnamed rich man and a poor beggar named Lazarus. In the Latin Bible, the unnamed rich man is referred to as Dives from dives, the Latin word for rich. This work, based on the tune that Vaughan Williams had loved all his life, which came from the very soil of England, ageless and anonymous, was played at the composer's funeral service in Westminster Abbey on 19th September 1958.
Estimated dispatch 7-14 working days
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