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  • £202.99

    Captain Marco (Concert Band - Score and Parts) - Hirose, Hayato

    Hayato Hirose composed this dramatic piece based on the great journey of Marco Polo, Italian traveller and one of the first Europeans ever to visit Asia. In the 13th century, he made a long journey from Venice to Mongolia with his father. After his arrival, he was sent to the various regions in Asia by the Mongolian government to take notes about the culture, the people, and the way of life in those areas. Celebrate the life of this great explorer with this dynamic new concert work.Duration: 10:15

    Estimated dispatch 7-14 working days

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  • £139.99

    Story of a Village (Concert Band - Score and Parts) - Waignein, Andre

    This work relates the story of Maasbracht, a town on the banks of the Meuse River in the Dutch province of Limburg. Like all fairy tales, the story begins serenely with ?Once upon a time?? The music evokes the atmosphere of this very pleasant region, where the gentle way of life is the key to happiness. A lively and joyful passage depicts the cheerfulness of the people of Maasbracht. Maasbracht, like many other towns, suffered during World War II: sound colours darken and pictures of destruction run through our mind. In the midst of despair there is hope, from grief comes new life. The future looks promising. The work leaves Maasbracht, looking forward to the 21st century with confidence. A highly descriptive work that is suitable for any concert or contest situation.Duration: 10:00

    Estimated dispatch 7-14 working days

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  • £126.50

    TANGLED MEDLEY (Concert Band) - Menken, Alan - Hoshide, Takashi

    Tangled Medley is a fabulous medley of five of the best from the Disney film Tangled, which is based on the tale of Rapunzel. Composed by Alan Menken, the Disney legend and winner of eight Oscars for his scores, these beautiful songs are perfect for concert band arrangement. Songs included: When Will My Life Begin?; I've Got A Dream; Kingdom Dance; I See The Light; When Will My Life Begin?.

    Estimated dispatch 7-14 working days

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  • £50.50

    Desert Voices - Roland Barrett

    Depicting life in the desert, this captivating work begins with the haunting sounds of a baron desert as relentless heat hits it by day. At night, exotic plants and animals spring to life, portrayed with rhythmic vitality and bold musical statements. The work ends as softly as it began, with the relentless sun once again beating down on the parched desert. Intense and captivating!

    Estimated dispatch 3-5 working days

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  • £98.20

    Space Lab - Giuseppe Ratti

    A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.

    Estimated dispatch 7-14 working days
  • £84.99

    Bread and Games - William Vean

    'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.

    Estimated dispatch 7-14 working days

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  • £59.80

    Maisha ni Zawadi (Flexible Ensemble - Score and Parts) - Utbult, Jan

    An original piece based on the African musical tradition. Maisha ni Zawadi is Swahili and means life is a gift. The arrangement of the chorus is based on how an East African choir would have performed the song. The song is based a lot on the percussion groove, and is particularly suitable for bands and ensembles that want to show off the percussion section. Here it is possible to let many people play African rhythms on various percussion instruments.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £225.00

    Five Variants of Dives and Lazarus (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    Five Variants of Dives and Lazarus is a Concert Band arrangement from the original work for string orchestra and harp by Ralph Vaughan Williams. The composition is based on the folk tune Dives and Lazarus, one of the folk songs quoted in Vaughan Williams' English Folk Song Suite. The ancient theme on which these variations are based goes back to the sixteenth century, and is known by various titles. Dives and Lazarus is a story told by Jesus in the Gospel of Luke. It tells of an unnamed rich man and a poor beggar named Lazarus. In the Latin Bible, the unnamed rich man is referred to as Dives from dives, the Latin word for rich. This work, based on the tune that Vaughan Williams had loved all his life, which came from the very soil of England, ageless and anonymous, was played at the composer's funeral service in Westminster Abbey on 19th September 1958.

    Estimated dispatch 7-14 working days

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  • £84.99

    Bread and Games Wind Band Set (Score & Parts)

    Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward. 06:00

    Estimated dispatch 7-14 working days

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  • £144.99

    Festa Paesana Wind Band Set (Score & Parts)

    Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly based on the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction. 0:08:10

    Estimated dispatch 7-14 working days

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