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£50.00Antiphonal Overture - Arthur J Michaels
Arthur J Michaels has composed this great number for Wind/Concert Band, and has thoughtfully scored it to support varying instrumentation which may be experienced in school settings.Throughout Antiphonal Overture, different groups of similarly pitched woodwinds and brasses, instrument families, and other instrument combinations 'answer' one another in mainly two-bar phrases. This antiphonal style creates varying timbres and textures throughout the piece.Cues in critical places ensure that smaller groups and those with uneven instrumentation can perform this piece successfully.The ever-changing timbres and textures in Antiphonal Overture are sure to make this piece a popular, challenging work for players and a delight for audiences.Level: Grade 3
In stock: Estimated delivery 1-3 days
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£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
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£58.00Visigoths
This piece is already one of Sean O'Loughlin's most successful, and it is now available in our new series of pieces with flexible instrumentation. It can be performed with as few as five players and percussion. This bold and aggressive piece will make any band sound good and with the five-part set-up of the scoring, you can overcome any instrumentation deficiencies. Check out the full recording, but also sample the excerpted recording that gives you an idea of how good this piece can sound, even with a very small ensemble.
Estimated dispatch 12-14 working days
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£87.99Commonwealth - Robert Sheldon
Located in the Commonwealth of Virginia, Fairfax County has quite an interesting story to tell, from the times of the Revolutionary War to the Civil War, to its prominent position as one of the premiere suburbs of our nation's capital, and most populous jurisdiction in Virginia. This piece serves to acknowledge the history of this region while representing its vibrancy and character. The opening patriotic soundscape offers a backdrop to the energetic piece that follows. A juxtaposition of those themes brings the piece to a close.
Estimated dispatch 7-14 working days
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£119.99Wings to Fly - Thomas Doss
This piece was composed for the youth wind band at the Marienschule in Saarbrcken, Germany. The title praises the importance of an education emphasizing freedom, responsibility and getting to know and accepting one's limitations in order to become a well-educated and good-hearted citizen. During the piece, the composer refers to aspects of a typical school-age experience, such as friendship, disappointments, challenges, values and goals. The point is that education gives us all 'Wings to fly'. This is a noble piece, full of variety, with nice sections for all instrumental groups.
Estimated dispatch 7-14 working days
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£137.99Friendly Takeover - Oliver Waespi
Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.
Estimated dispatch 7-14 working days
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£56.50Race Car - Scott Watson
The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25)
Estimated dispatch 7-14 working days
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£154.99The Glenmasan Manuscript - Marc Jeanbourquin
The Glenmasan Manuscript is an historic Scottish manuscript from the fifteenth century that contains legendary Celtic texts from the Ulster region. In his composition, Marc Jeanbourquin has evoked the atmospheres and illustrated thelandscapes, as well as legendary heroes from this country, through music. The extraordinary spectacular finale is certainly one of the reasons this piece is both suitable as a challenging contest piece as well as a concert piece.
Estimated dispatch 7-14 working days
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£84.50Power Of The Redstone - Amy Webb
"Power of the Redstone is dramatic, exciting, and, most of all, it is fun to play! While I have written the piece in g minor, I have thrown in some diminished 7 chords and added some v chords for extraordinary sounds and novelty that students (and teachers who are tired of hearing I-iv-v-I over and over) are sure to latch on to and enjoy. The ranges on all of the instruments are well within the grade level of the piece, with Trumpet 1 going as high as 4th line D (just a couple of times), flute going no higher than their "C" and Trombone hitting their high E-flat one time. Dynamics are a very crucial part of this piece." - Amy Webb
Estimated dispatch 7-14 working days
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£59.80
Die Lustigen Dorfschmiede - Julius Fucik
Reading the title of this piece, namely "The Happy Village Smiths" it rather suggests a character piece than a zestful march. However, the saying "Don't let yourself be fooled" also applies in this instance, as "The Happy Village Smiths" belong to Fuc k's most popular marches. In an article that appeared in a Styrian local paper in the 1930s, Christine Fuc k speaks about common vacations with her husband in Gleisdorf. On the occasion of a walk in the vicinity of that city the couple came past a blacksmith's shop. The rhythm of the two blacksmiths hammering away on the anvil allegedly inspired Fuc k to compose this piece. Since the march goes back to the year 1908, and Christine and Fuc k's friendship started - not without frictions - only one year before that date, there are doubts concerning the validity of the story, although this report constitutes the only reference on the birth of this march.
Estimated dispatch 7-14 working days
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