Results
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£159.99
Il Cinghiale di Bronzo (Concert Band - Score and Parts) - Tanaka, Kumiko
This suite is based on the fairy tale The Bronze Pig by Hans Christian Andersen. This is a story about a boy who wants to be a painter and a pig made of bronze. This pig, in Florence town square, is a bronze statue with clear water pouring from its mouth. Legend has it that when an innocent child sits on its back, that the pig can run. In three movements; Flying Dreams in a Starlight Sky, La Via Porta Rossa and Twilight on the Arno River this work is a highly descriptive storytelling piece that will be equally enjoyed by young and old alike. Definitely one not to be snorted at!Duration: 9:45
Estimated dispatch 7-14 working days
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£206.99
Songs of the East Coast Fishermen (Concert Band - Score and Parts) - Sparke, Philip
100 years ago English composer Vaughan Williams visited Norfolk (an area on the east coast of England) to collect and notate folk songs from people of all trades and callings. Accompanied by a local clergyman, he visited The Tilden Smith, a pub which was a favourite haunt of the 'Northenders', the local fishermen, and in less than a week the composer had notated 61 songs. Vaughan Williams incorporated the best of these songs into his own music, most notably in A Norfolk Rhapsody and the Sea Symphony. Philip Sparke has composed this suite based on five of these folk songs together with King's Lynn, a folk song which Vaughan Williams adapted into a popular hymn tune. Why not bring a piece of traditional English heritage to any concert with this melodious work.Duration: 14:00
Estimated dispatch 7-14 working days
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£202.99
Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre
Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00
Estimated dispatch 7-14 working days
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£89.99
Minerva (Concert Band - Score and Parts) - Van der Roost, Jan
Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting new part, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!Duration: 4:00
Estimated dispatch 7-14 working days
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£154.99
Symphonic Variations (Concert Band - Score and Parts) - De Haan, Jacob
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to a musical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.Duration: 11:15
Estimated dispatch 7-14 working days
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£128.00
Aquarium (Concert Band - Score and Parts) - De Meij, Johan
The Suite Aquarium is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and describes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements. The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.Duration: 9.00
Estimated dispatch 7-14 working days
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£179.99
Amazonia (Concert Band - Score and Pars) - Van der Roost, Jan
This major concert work consists of five movements:1st movement: La Laguna del Shimbe. Situated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powers and for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside his patient. The biggest lagoon is the "Laguna del Shimbe", one of the countless wells of the immense Amazon stream.2nd movement: Los Aguarunas. Further downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It's a proud, beautiful and independent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants... They also grow some crops and live as semi-nomads. They take their fate into their own hands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: Mekaron. Mekaron is an Indian word meaning "picture", "soul", "essence". The Indians are the original inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music and medicine. "Everywhere the white man goes, he leaves a wilderness behind him", wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely).4th movement: Ktuaj. This is the name of the initiating ceremony of the Krah tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with red paint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino Faiakan. In 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam in Brazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribes around Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of the Brazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was, albeit temporarily, stopped.Duration: 12:30
Estimated dispatch 7-14 working days
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£149.99
Suite Provencale (Concert Band - Score and Parts) - Van der Roost, Jan
This 4-movement suite is based on authentic folk tunes from the beautiful southern province in France: the "Provence". The composer used an harmonic language respecting the popular characteristics, but on the other hand also contains some "spicy" notes (...just like the well known "Provencal sauce"!...). The instrumentation is very colourful, paying a lot of attention to the different timbres of both brass and wood winds as well as to the percussion section. Every movement has its own character: "Un Ange a fa la crido" (= An angel brought the creed/credo) is like a bourree, "Adam e sa Coumpagnou" (= Adam and his companion) is an old love song, "Lou Fustie" (= the carpenter) a fast dance and finally "Lis Escoubo" (= a whistle tune / popular ballad) is a farandole. In the latter, the old tradition of folk musicians who play a whistle with one hand and a drum with the other hand, is clearly represented during the first presentations of the one and only theme)Although this piece is not too demanding, a well balanced band is necessary to perform it successfully. Thanks to the contrasts and the varying colours, it keeps on holding the attention.Duration: 7:15
Estimated dispatch 7-14 working days
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£59.95
Variations VIII & IX (From Enigma) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£11.95
Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days