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£84.99
Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£54.99
Big Fun on the Bass Drum Wind Band Set (Score & Parts)
Beating a drum is fun. Beating a big drum is even more fun. Being a soloist and beating a bass drum is best of all. In 'Big Fun on the Bass Drum' the dream of every starter percussionist is realized. He/she is soloist and is allowed to really beat the drum hard without the conductor putting a stop to it, but beware: a new skin is rather expensive. 'Big Fun on the Bass Drum' is not only about hitting as hard as you can, though. A lot of attention is paid to playing the bass drum very softly. And what is more, the composer has found room to offer the soloist a real cadenza - at this point in the composition he/she can either play the part prescribed or give the audience an improvisation of his/her own. 02:00
Estimated dispatch 7-14 working days
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£104.99Celtic Gathering Wind Band Set (Score & Parts)
Roland Kernen has developed a true fascination for the traditional music scene and for Celtic folk music in particular. The Celts fed on a rich blend of legend and myth which is skillfully portrayed in Celtic Gathering. This lyrical piece embraces two musical atmospheres. The first melodic line, written in a minor key, expresses the cheerful character of a group dance, whilst the second line, written in a major key, portrays perfectly the joyful mood of a Celt village.Why not add a touch of Celtic magic to your band repertoire.
Estimated dispatch 7-14 working days
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£84.99
Creamy and Crispy Wind Band Set (Score & Parts)
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back to the walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows. 07:45
Estimated dispatch 7-14 working days
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£204.99
Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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£150.00East Coast Pictures (Concert Band - Score and Parts) - Hess, Nigel
These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people.Movement 1: Shelter Island is a small island situated near the end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap; but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic, shrouded in sea mists and driving rain. This 'picture' is a fond memory of a winter weekend on Shelter Island.Movement 2: In upstate New York lie the Catskills Mountains--an extraordinary combination of tranquillity and power, peace and majesty. Once seen, they call you back again and again.Movement 3: New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come!Duration: 16.00
Estimated dispatch 7-14 working days
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£67.32Fanfare and Furiosity
Not hard, but very impressive, this David Shaffer original is perfect concert or contest material for mid-level bands. It starts with a stately fanfare introduction which leads directly into the "furious" section. This section features a fast tempo where several playable yet independent melody lines are intertwined to create a very busy yet pleasing musical landscape. An adagio section follows before a reprise of the "furious" section leads to a big finish. A rewarding work that is a welcome addition to any performance!
Estimated dispatch 7-14 working days
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£74.99
Introduction & Punk Wind Band Set (Score & Parts)
Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around your head. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. 04:30
Estimated dispatch 7-14 working days
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£224.99
Les Marteaux de la Marine Wind Band Set (Score & Parts)
Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material is not pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive, while the third expresses energy. In all elements a repeated tone is the starting point which explains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in the soft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted with short and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection, the transparent Larghetto returns with a varied setting of the opening elements. The beautiful leading roles in this section are reserved for cornet (trumpet) and horn. Subsequently, the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next, the opening Allegro re-appears once again and thus Les Marteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands. 17:45
Estimated dispatch 7-14 working days
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£49.50
Spirit of the Winds
Spirit of the Winds, a concert/festival work for the developing band, was inspired by the beautiful Temecula Valley of California. Each year, the sky over the valley is filled with hot air balloons creating a visual sight that is not soon forgotten. Of course, balloons are unable to "steer" and must fly with the gentle breezes of the air current. As a result, those subject to the "spirit of the winds" can find themselves over festival grounds or floating above the beautiful Temecula Valley vineyards. Beginning with a bold, yet mysterious statement, the introduction gives way to a soaring melody as our flight begins. Cascading figures in the woodwinds create the effect of wind currents followed by a beautiful secondary melodic statement. The original theme returns leading to a very energetic conclusion. Accessible to a wide range of concert bands, Spirit of the Winds provides multiple teaching opportunities and will be enjoyed by both performer and audience.
Estimated dispatch 7-14 working days
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