Searching for Brass Band Music? Visit the Brass Band Music Shop
We've found 1000 matches for your search

Results

  • £84.00

    Forged in Fire (Concert Band - Score and Parts) - Romeyn, Rob

    An epic programmatic piece, "Forged In Fire" is a work of vibrant energy, vivid color and immense power. It draws inspiration from the immense power and uses of fire, and its effect on early civilization and industrialization. A calm and sensitive introductions leads to a new theme at a quickening tempo. This theme, stated simply at first, is then embellished by a driving rhythm multi-meter effect, and further developed with layered contemporary harmonies, changing textures and variations on the theme. After a breathtaking climax, the original theme is restated, more powerfully this time. It then subsides, before building to a shimmering, red hot ending that will leave your audience breathless. Certain to become a mainstay for concert and festival use. Not to be missed! Duration: 4.45

    Estimated dispatch 7-14 working days

     PDF View Music

  • £250.00

    The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £74.99

    Whispers from Beyond (Concert Band - Score and Parts) - Galante, Rossano

    Composed as a tender tribute to a lost friend, this is meant not to be a mournful piece, but rather a joyous remembrance of a life ended too soon. The work features two primary themes that ebb and flow as the music progresses. Soaring melodic lines and rich orchestration help bring character and distinction to this effective and emotional piece. Duration: 4:00

    Estimated dispatch 7-14 working days
  • £64.99

    Celtic Farewell (Concert Band - Score and Parts) - Sweeney, Michael

    Music has power to help us heal and cope with the loss of loved ones. Using the beloved traditional Scottish ballad, The Parting Glass, combined with an original new melody, here is a beautifully paced and sensitive musical memorial with a Celtic flavor. A key element of this work is the use of Highland bagpipes. If a pipe player is not available, this part is cued in multiple parts throughout the band (or use a synthesizer with bagpipe patch). A moving tribute for any memorial.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £66.95

    In tantum lux (Concert Band - Score and Parts) - Stalter, Todd

    "In tantum lux" (The only light) was written as a memorial and celebration honouring the life of a music educator and her faith, who taught in a small school her entire career and persevered through the challenges and unique demands that teaching small school bands present. The piece also serves as a celebration of every band student and teacher in small schools everywhere who may not have the resources to have a full ensemble, yet strive every day to experience the joy of making music to the fullest just the same.Duration: 4:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £110.00

    All Creatures of our God and King (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    All Creatures of Our God and King is an English Christian Easter hymn by William Henry Draper, based on a poem by St. Francis of Assisi. It was first published in a hymn book in 1919. The words of the hymn were initially written by St. Francis of Assisi in 1225 in the Canticle of the Sun poem, which was based on Psalm 148. The words were translated into English by William Draper, who at the time was rector of a Church of England parish church at Adel near Leeds. Draper paraphrased the words of the Canticle and set them to music. It is not known when Draper first wrote the hymn but it was between 1899 and 1919. The hymn is currently used in 179 different hymn books. The words written by St Francis are some of the oldest used in hymns after Father We Praise Thee, written in 580 AD. Like Ye Watchers and Ye Holy Ones, Draper's text is usually set to the tune of Lasst uns erfreuen, a German Easter hymn published by Friedrich Spee in 1623 in his book Auserlesene Catholische Geistliche Kirchengesng. This tune became widespread in English hymn books starting with a 1906 arrangement by Ralph Vaughan Williams. John Rutter also wrote a piece of music for the hymn. Despite the hymn being initially written by Draper for Whitsun (the Anglican and English designation for Pentecost), it is mostly used in the ealier weeks of the Easter season. This setting by John Rutter begins with a rousing fanfare for trumpets and trombone, which segues in to the first verse of the hymn. There are seven verses included, but the director has the option of deleting verses as desired.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £75.00

    Believe in life (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £95.00

    Hymn to the Creator of Light (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £95.00

    O All Ye Works of the Lord (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £95.00

    O Lord, How Manifold are Thy Works (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.

    Estimated dispatch 7-14 working days

     PDF View Music