Results
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£75.00Prelude (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£110.00Rondeau (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£395.00Suite Antique (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£110.00Waltz (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£74.00Twilight Portrait (Concert Band - Score and Parts) - Huckeby, Ed
Looking for something different? This stunningly beautiful ballad was inspired by a series of photographs depicting the twilight times of sunrise and sunset. With flowing melodic lines and soaring countermelodies, "Twilight Portrait" provides a magnificent opportunity for your ensemble to develop and showcase a legato playing style, while presenting a striking image of musical lyricism. A video slideshow, featuring the photographs which inspired the work, is available for download so the twilight images can be presented in concert with the music as a unique multimedia event. Duration: 4.00
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£110.00Down by the Riverside (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Down by the riverside is a spiritual that was sung by slaves in the South as a work song. It dates back to before the American Civil War. John Rutter's lively arrangement of this barnstorming American folk-song builds up from a quiet opening to a triumphant conclusion. This arrangement is a faithful adaptation of the original orchestration for chorus and orchestra, but it is arranged so that it may be performed by band alone. The style is an authentic toe-tapping early jazz creation that relates to the 'jitterbug' era, and the band arrangement is complete with an optional jazz clarinet solo as well as a rousing chorus by the sax section. The piano part is cued if needed. This is a perfect opportunity to get the entire band 'swinging', and could even entice a 'One mo' time!' finale.
Estimated dispatch 7-14 working days
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£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
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£100.00Battles (Concert Band - Score and Parts) - Dobson, Simon
Battles was written for the restoration of the epic 1927 silent film The Battles of Coronel and Falkland Islands, and was commissioned by the British Film Institute (BFI) in 2013. The work presents eight contrasting scenes as a continuous sequence: War, Introduction of Admiral von Spee, German Banquet, Building Steam/Preparing, Islanders, Call to Arms, Great Battle at Sea and Victory. The original score was written for a small chamber orchestra, symphonic brass and a substantial batterie of tuned and untuned percussion. Battles has been edited for symphonic wind orchestra with percussion and harp. Composer Simon Dobson says of his colourful score, "I wanted to keep things simple and clear, so there is a British theme, a fanfare march idea, often heard on trumpet, and a German naval theme, which is a more angular motif." Duration: 13.00
Estimated dispatch 7-14 working days
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£52.95Lost in the Crystal Cave (Concert Band - Score and Parts) - Turner, Jeffrey E.
Imagine finding yourself stumbling alone in a darkened cave. It's so quiet, the only thing you can hear is your own heartbeat. Lost, you pray for guidance, and suddenly, sound paints a picture of what your eyes can't see. Met with a shimmering mirror of sparkling percussion, you follow a pinpoint of light shining off a solo trumpet. The darkness filling with heaven's light, you are no longer "Lost in the Crystal Cave." You've found a way out by following footprints left for you in the music.Duration: 3:50
Estimated dispatch 7-14 working days
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