Results
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£344.00T-Bone Concerto (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 25.00
Estimated dispatch 7-14 working days
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£111.00
Well Done (Movement III from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 6.15
Estimated dispatch 7-14 working days
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£111.00
Medium (Movement II from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 8.30
Estimated dispatch 7-14 working days
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£111.00
Rare (Movement I from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 10.30
Estimated dispatch 7-14 working days
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£134.99The Enemy God and the Dance of the Spirits (Concert Band - Score and Parts) - Prokofiev, Sergei - Van der Beek, Wil
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance "...The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, created by the blaring brass, on account of his sick wife and three children...".Duration: 3:00
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations (Concert Band - Score and Parts) - De Haan, Jacob
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to a musical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.Duration: 11:15
Estimated dispatch 7-14 working days
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£104.95Canons And Cadenzas (Concert Band - Score and Parts) - Bedford, David
After a slow introduction, "Canons and Cadenzas" takes off and features just what the title implies - a collection of canons and cadenzas featuring every section of the ensemble. Bedford masterfully layers motive upon motive and canon upon canon creating an unparalleled melodic and rhythmic drive.
Estimated dispatch 7-14 working days
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£59.95Sounds and Rounds for Band (Concert Band - Score and Parts) - Brand, Geoffrey
If you have ever stood before a Concert Band and wondered how you may best help them to sound better then SOUNDS will help. SOUNDS are exercises designed to improve DYNAMICS, RHYTHM, CRESCENDO and DIMINUENDO, INTERVALS, RESTS and ACCENTS. The exercises can also be used for warm-up purposes. They are interesting to play whilst creating an awareness of some of the fundamentals of good performance. ROUNDS are a form of Canon in unison (or octaves) with the players entering at regular rhythmic periods. The first Rounds were printed in 1609 so people have enjoyed performing this form of music for a very long time and still do. Kookaburra comes from Australia, Row Row Row the Boat is English, Frre Jacques is French and in this version a variation on the original melody has been added which also works as a round and adds to the fun. A full score has been provided in order to facilitate rehearsal.
Estimated dispatch 7-14 working days
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£11.95
Sounds and Rounds for Band (Concert Band - Score Only) - Brand, Geoffrey
If you have ever stood before a Concert Band and wondered how you may best help them to sound better then SOUNDS will help. SOUNDS are exercises designed to improve DYNAMICS, RHYTHM, CRESCENDO and DIMINUENDO, INTERVALS, RESTS and ACCENTS. The exercises can also be used for warm-up purposes. They are interesting to play whilst creating an awareness of some of the fundamentals of good performance. ROUNDS are a form of Canon in unison (or octaves) with the players entering at regular rhythmic periods. The first Rounds were printed in 1609 so people have enjoyed performing this form of music for a very long time and still do. Kookaburra comes from Australia, Row Row Row the Boat is English, Frre Jacques is French and in this version a variation on the original melody has been added which also works as a round and adds to the fun. A full score has been provided in order to facilitate rehearsal.
Estimated dispatch 7-14 working days
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£148.00Trois Rag - Caprices (Concert Band - Score and Parts) - Milhaud, Darius - De Meij, Johan
The French composer Darius Milhaud (1892-1974) was a member of the Groupe des Six. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Stravinsky. Milhaud's most popular work is undoubtedly the ballet La Creation du Monde, one of the most striking examples of jazz influences in classical music. The premiere at the Theatre des Champs Elysees in October 1923 caused a real scandal with the Paris public. The Trois Rag-Caprices for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for La Creation du Monde. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The Trois Rag-Caprices were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to Saudades do Brasil (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet Le Boeuf sur le Toit. Johan de Meij's orchestration of Trois Rag-Caprices for symphonic band is a most welcome addition next to the original band works of Milhaud, such as Suite Francaise (1945) and West Point Suite (1951).Duration: 8.00
Estimated dispatch 7-14 working days
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