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  • £179.99

    Outback - Thomas Doss

    This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.

    Estimated dispatch 7-14 working days

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  • £87.50

    Skyward Spirits - Jarod Hall

    Journey through ethereal realms withSkyward Spirits, a symphonic masterpiece by JaRod Hall, who weaves tales of flight and fervor in this dynamic yet short micro-symphony. Begin with "Takeoff" as the brass fanfares and woodwind flourishes ignite the sky with anticipation. Drift into the embrace of "Under the Wing," a soulful reflection adorned with expansive melodies. Feel the tempestuous thrill of "Cloudburst," a scherzo of storm and spirit, only to be whisked into the jubilant dance of "Blue Skies," a finale that revisits cherished motifs and culminates in triumphant resonance. Let this masterpiece take your spirit flight!

    Estimated dispatch 7-14 working days
  • £149.99

    La Quintessenza - Johan de Meij

    La Quintessenza is a musical approach of the quintessence, the heart of the matter. By focusing a five note motif in a number of variants, De Meij tries to get through to the essence of the musical matter. The core of the composition is a lyrical middle part (Arioso), preceded by an opening fanfare for brass (Introduzione) and a burlesque variant on the same motif (Capriccio). In the fourth part (Alla Marcia) this main motif is only used as an ambient signal, and in the Finale the opening theme is repeated so the musical walk-round is complete.

    Estimated dispatch 7-14 working days

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  • £267.99

    Sinfonietta No 3 - Philip Sparke

    In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo.

    Estimated dispatch 7-14 working days

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  • £106.99

    Mndalen Landscapes - Philip Sparke

    The picturesque town of Mandalen lies amid snow-covered mountains and scenic fjords on the west coast of Norway. MANDALEN LANDSCAPES was commissioned by and written for Mndalen Skule og Ungdomskorps (Mandalen School and Youth Band) for a major concert in November 2003 at the instigation of its conductor, John Hudson, a long-time friend of composer Philip Sparke.Sparke set out to capture the beauty of the area in music and the piece opens with an evocation of the crisp, clear air of a Norwegian morning. After this introduction, the main theme is stated on clarinets and saxophones. A central bridge section takes the listener through several moods until the brass reintroducethe main theme under a woodwind descant. Material from the introduction brings the work to a peaceful close.

    Estimated dispatch 7-14 working days

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  • £209.99

    Diamond Concerto - Philip Sparke

    Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).

    Estimated dispatch 7-14 working days

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  • £360.00

    Praise Jerusalem! - Alfred Reed

    A major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, color and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.

    Estimated dispatch 7-14 working days

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  • £154.99

    Pompeii - Filip Ceunen

    Filip Ceunen's latest concert piece takes us on a journey back through time and explore the ancient Italian city of Pompeii. Through three interlocking movements, the composer creates a musical tale of Pompeii's humble beginnings, its growth and splendour under Roman rule and, of course, the terrible eruption of Mount Vesuvius. This piece is ideally suited for both concerts and competitions alike, with its many contrasting musical characters and orchestration that brings each section of the band to the foreground. Powerful brass passages, lyric melodies in the woodwinds and exciting percussion sections make Pompeii an exciting musical mountain to climb.

    Estimated dispatch 7-14 working days

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  • £184.99

    Concertino for Percussion and Band - Menno Bosgra

    This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.

    Estimated dispatch 7-14 working days

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  • £159.99

    Ouverture To The Three Angels - Jelle Tasseyns

    This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.

    Estimated dispatch 7-14 working days

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