Results
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£132.00
Continental Overture (Concert Band - Score and Parts) - De Meij, Johan
The Continental Overture was commissioned by the California Band Directors Association (CBDA) and was premiered on February 23rd 1997 at the 40th annual CBDA Conference in Bakersfield, California, by the California All State Symphonic Band, conducted by the composer. It is a short, dynamic work full of energy and spirit, with a melodic middle section and a spectacular ending. The composer does not try to hide his continental roots: several influences by some of the great European composers can be recognised. Duration: 6.45
Estimated dispatch 7-14 working days
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£60.00
Derbyshire Cavalry Marches (Concert Band - Score and Parts) - Haydn, Joseph - Hash & Walters
Haydn wrote these marches during his second trip to London in 1794-95. The original autograph is titled "Two Marches Composed by J. Haydn for Sir Henry Harpur... to the Volunteer Cavalry of Derbyshire, embodied in the year 1794". Scored for the typical military band of the time, the instrumentation included a trumpet, two horns, two clarinet, two bassoons and a serpent (a curved bass instrument played with a cupped mouthpiece). Percussion parts would have been added by the regimental drum major and played by soldiers, not regular musicians. Due to a lack of printed marching books at the time, selection had to be short to facilitate easier memorisation. In this arrangement for modern concert band, the marches have been transposed from the original keys to Bb and F Major. Percussion parts have also been added by the arrangers and can be used at the director's discretion. Though these marches have been scored with the intermediate level band in mind, the integrity of the originals have been maintained, making them of interest to musicians and music students alike, at all levels.
Estimated dispatch 7-14 working days
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£74.95
Symphonic Variations (Concert Band - Score and Parts) - Johnson, Stuart
Symphonic Variations was commissioned by Swindon Young Musicians' Club with funds provided by the W H Smith Arts Programme, and first performed by Swindon Young Musicians, conducted by Bramwell Tovey, at the Wyvern Theatre on January 29, 1989. The opening theme, stated in a Maestoso unison, provides the musical kernel for the entire work. The composer cleverly exploits all the rhythmic possibilities inherent within the chosen theme to provide a piece which is serious enough for detailed study and Festival usage, yet entertaining at the same time.
Estimated dispatch 7-14 working days
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£14.95
Symphonic Variations (Concert Band - Score Only) - Johnson, Stuart
Symphonic Variations was commissioned by Swindon Young Musicians' Club with funds provided by the W H Smith Arts Programme, and first performed by Swindon Young Musicians, conducted by Bramwell Tovey, at the Wyvern Theatre on January 29, 1989. The opening theme, stated in a Maestoso unison, provides the musical kernel for the entire work. The composer cleverly exploits all the rhythmic possibilities inherent within the chosen theme to provide a piece which is serious enough for detailed study and Festival usage, yet entertaining at the same time.
Estimated dispatch 7-14 working days
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£134.99
Pastorale de Provence (Concert Band - Score and Parts) - Cesarini, Franco
Cesarini composed this work as a tribute to the memory of Darius Milhaud, born a century earlier in Aix-en-Provence, France. The premiere, conducted by the composer, was presented by the Civic Philharmonic of Balerna in December, 1992. The titles of the four-part suite include: La Villageoise (The Village Maiden), Le petit berger (The Little Shepherd), La Princesse (The Princess) and Le Lutin (The Imp). The numerous musical reference themes begin with five folksongs from the Provence region and continue with melodies written by French composers of the seventeenth century. Additional interest is created by the use of old dance forms (Ronde, Musette, Pavane and Farandole) to illustrate each historical character.Duration: 9:30
Estimated dispatch 7-14 working days
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£44.95
Totally Tropical! (Concert Band - Score and Parts) - Barry, Darrol
Totally Tropical! is in bright Caribbean mood and will benefit from good, rhythmic playing. Flutes, oboes, clarinets and trumpets all have to play the little chromatic figure that starts the main tune and this may need slow practice to become fluent. Additional percussion instruments may be added to give a 'Calypso' sound.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£44.95
Whirlwind (Flute Solo with Concert Band - Score and Parts) - Fraser, Bruce
Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30
Estimated dispatch 7-14 working days
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£44.95
Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days
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£74.99
Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00
Estimated dispatch 7-14 working days
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£104.99
Rudolph, the Red-Nosed Reindeer (Concert Band - Score and Parts) - Marks, Johnny - Iwai, Naohiro
Rudolph the Red Nosed Reindeer told the story of Rudolph, a young reindeer who was teased by the other deer because of his large, glowing, red nose. But, when Christmas Eve turned foggy the former outcast saved Christmas by leading the sleigh by the light of his red nose. This version for concert band by Naohiro Iwai is perfect as a cheerful interlude and will soon find a firm place in your Christmas repertoire.Duration: 4:00
Estimated dispatch 7-14 working days