Results
-
£82.50Salute To Kansas - Robert E. Foster
An original march by the "March King," performed by the Sousa Band on tour and recorded by the United States Marine Band in 1976, but which was never published. Reconstructed from the original manuscripts from the Sousa estate and issued for the first time by Wingert-Jones.
Estimated dispatch 7-14 working days
-
£57.50Carrying You from "Laputa: Castle in the Sky" - Joe Hisaishi
New Sounds in Concert Band Series(NSB) for small band with 2-part choir Duration: approx.4'10" Arranged by Eiji Suzuki"Carrying You" was composed as a theme song to Castle in the Sky, an animated film produced by Studio Ghibli and directed by Hayao Miyazaki, released in 1986. The composer for Castle in the Sky was originally not Joe Hisaishi, but the director Miyazaki strongly requested him. The director told Hisaishi his vision for the film, and based on the world he imagined, Hisaishi made a collection of music called the Image Album. The melody that later becomes the basis for "Carrying You" was born from this album. However, the director Miyazaki was not planning on including a theme song in this film. Isao Takahata, the producer, proposed including a song, for the audience to think over the film at the end. He wanted the audience to think, "While the protagonists sought for the treasure, they didn't obtain any treasure. What did they obtain instead?" They thought, if they are going to create a theme song, it should be something organically connected with the entire film. Takahata requested the director Miyazaki to write the lyrics for the theme song. And to Hisaishi, he gave instructions to create a melody for the theme song using an instrumental piece called "Pazu and Sheeta" from the image album mentioned above. Director Miyazaki handed a piece of memo with lyrics to Takahata. "Carrying You" we hear now is this lyrics with some changes, set to Hisaishi's music. The melody is used at the opening of the film as well as the scene where Laputa is destroyed, and the song is used for the ending. Performance Advice from Arranger Suzuki: This is an extremely simple arrangement that can be performed by lower grade bands and singers. Of course, it can be played without singers and chorus, but the contents of the lyrics are very tasty so if possible, we recommend that you perform using the voices. Depending on your resources, the voice parts can be done as all solo, all female chorus, and so on.
Estimated dispatch 7-14 working days
-
£134.99Pastorale de Provence - Franco Cesarini
Cesarini composed this work as a tribute to the memory of Darius Milhaud, born a century earlier in Aix-en-Provence, France. The premiere, conducted by the composer, was presented by the Civic Philharmonic of Balerna in December, 1992. The titles of the four-part suite include: La Villageoise (The Village Maiden), Le petit berger (The Little Shepherd), La Princesse (The Princess) and Le Lutin (The Imp). The numerous musical reference themes begin with five folksongs from the Provence region and continue with melodies written by French composers of the seventeenth century. Additional interest is created by the use of old dance forms (Ronde, Musette, Pavane and Farandole) toillustrate each historical character.
Estimated dispatch 7-14 working days
-
£89.99
Walzerzauber
The genre operetta (literally meaning 'small opera') originated halfway through the 19th century, as an antidote to the ever-lengthening opra comique, which by that time contained more and more tragic intrigues as well. In this charming work, three waltz melodies from different operettas come together. First, we hear 'Lippen schweigen' from Die lustige Witwe (The Merry Widow) by Franz Lhar (1870-1948). Then follows 'Ja, das alles auf Ehr' from Der Zigeunerbaron (The Gypsy Baron) by Johann Strauss the younger (1825-1899), after which 'Tanzen mchte ich' from Die Czardasfrstin by Emmerich Klmn (1882-1953) closes the medley in a cheerful way. Franz Watz has skilfullyconnected the waltzes to become a magical whole.
Estimated dispatch 7-14 working days
-
£134.99Continental Overture - Johan de Meij
The Continental Overture was commissioned by the California Band Directors Association [CBDA] and was premiered on February 23rd 1997 at the 40th annual CBDA Conference in Bakersfield [CA] by the California All State Symphonic Band, conducted by the composer. It is a short, dynamic work full of energy and spirit, with a melodic middle section and a spectacular ending. The composer does not try to hide his continental roots: several influences by some of the great European composers can be recognised.
Estimated dispatch 7-14 working days
-
£134.99Madurodam - Johan de Meij
Madurodam is a small scale miniature town at Scheveningen (near The Hague) and is since many years one of the most important tourist attractions of the conurbation of Western Holland (called "Randstad"). On a scale 1:25 a charming picture of The Netherlands is given in bird's eye view: several important buildings, churches and townscapes are reconstructed up to the smallest details. There is also a fine transport system: a network of railroads, harbours and motorways covers the park and Madurodam Airport enables air traffic with all continents. The miniature suite Madurodam consists of eight short parts presenting a musical impression of the smallest town in The Netherlands. IReveille the piccolo flute and the side drum announce a new day; II Toy Soldiers there is a military parade in front of the George Maduro Barracks; III Binnenhof/Buitenhof a solemn melody is the main theme of the suite and depicts the state buildings and the nearby lake "Hofvijver" at The Hague; IV Small Windmills everything that moves or whirls at Madurodam is described in this barrel organ waltz; V Intermezzo/Nocturne Madurodam by night is described by a solemn passage played in unison by the lower instruments; VI The Westerkerk Church also the capital Amsterdam is represented with the chimes of the famous Westerkerk church; VII The Muiderslot Castle an elegant pavane recalls medieval atmospheres; VIII "Grande" Finale the windmill theme comes back and then the suite comes to an end with the "Binnenhof" theme, decorated by the first strains of the national hymn "Wilhelmus".
Estimated dispatch 7-14 working days
-
£137.99Hanover Festival - Philip Sparke
The Hanover Wind Symphony, New Jersey, USA was founded in 1984 by its conductor Peter Boor. He commissioned HANOVER FESTIVAL to celebrate the band's 15th Birthday and the first performance took place on October 27th 1999. The piece starts with a solemn brass fanfare. Woodwinds join in and the music subsides into an expressive chorale. A climax is reached and the fanfare returns. Trumpets introduce an explosive vivo section, characterised by an energetic theme from the horns and low clarinets. A bridge passage with strong brass chords leads to a playful section that introduces a legato central theme under woodwind figures. This is taken up by the full band, the playfulmusic returns and the original horn tune is reintroduced. Finally the opening fanfare returns, this time accompanied by music from the vivo section, until a fast and furious coda closes the work.
Estimated dispatch 7-14 working days
-
£317.99Music of the Spheres - Philip Sparke
The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
Estimated dispatch 7-14 working days
-
£176.50Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
-
£112.99Bite the Bullet - Jorge Machain
Bite the Bullet by Mexican-American composer Jorge Machain was named 2019-2020 winner of acclaimed "The American Prize" for music, in addition to being a finalist in the 2018 NBA Revelli competition. The work was inspired by a painting by Venetian artist, Carlo Marchiori, which depicts two 'Pulcinelli' (Venetian clowns) engaged in a gun battle. As the bullets meet in the middle of the scene, a colorful and vibrant cloudburst is created. Using a unique sonic color scheme, the brass and percussion portray the gunshots, while the woodwind flourishes emulate the painter's vibrant brush strokes.Commissined and recorded by the UNLV Wind Orchestra Thomas G. Leslie, conductor,featured on the Klavier recording "Quarternity" K11123.
Estimated dispatch 7-14 working days
View Music