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£89.99
Trumpets of Jericho Wind Band Set (Score & Parts)
This programmatic piece tells the biblical story of the fall of Jericho. The music paints a vivid picture of the procession of armed men and seven priests marching around the city for seven days, before blowing their trumpets and to the cheers of the crowds watching as the walls came tumbling down. A dazzling opening work for any concert. 0:03:50
Estimated dispatch 7-14 working days
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£104.99
Variations on Shalom Chaverim Wind Band Set (Score & Parts)
Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.' Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!). 05:00
Estimated dispatch 7-14 working days
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£144.99
Vents Catalans Wind Band Set (Score & Parts)
Vents Catalans (Catalan Winds) is a symphonic fantasy which, while it does no directly reference any melody or song from Catalonian folk music, still manages to convey all the life, beauty and energy of this charming region in southern Spain. After a triumphant and majestic introduction, reminiscent of folksongs and lively dances, the mood calms down with an elegant, yet playful, melody, followed by the Sardana, the traditional Catalonian dance par excellence. 09:50
Estimated dispatch 7-14 working days
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£19.95WARCRYE OF ELFEGEN (Prestige Concert Band Extra Score) - Lawrence, Geoffrey
Extra Score. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£99.95
WARCRYE OF ELFEGEN (Prestige Concert Band Set) - Lawrence, Geoffrey
Score and Parts. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£70.00WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline
Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions
Estimated dispatch 7-14 working days
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£74.99
Zeit, dass sich was dreht Wind Band Set (Score & Parts)
This magnificent song was the official anthem for the 2006 World Cupwhich took place in Germany. It is full of African influence which links itto the next tournament which takes place in South Africa in 2010. A trulyoriginal football anthem that will bring the house down at any concert. 0:04:10
Estimated dispatch 7-14 working days
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£41.50Songs of the Sea (Concert Band - Score and Parts) - Kinyon, John
A medley including A-Roving, Blow the Man Down and The Drunken Sailor.
Estimated dispatch 7-14 working days
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£64.95Guys and Dolls (Selection) (Concert Band - Score and Parts) - Loesser, Frank - Duthoit, W. J.
Army Journal No.776Includes:Guys and DollsI'll KnowTake Back Your MinkSue MeA Bushel and a PeckI've Never Been In Love BeforeIf I Were a BellSit Down You're Rocking the BoatMore I Cannot Wish YouLuck be a Lady
Estimated dispatch 7-14 working days
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£201.50Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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