Results
-
£60.50Breakneck! - Tyler Arcari
Imagine flying down the streets at breakneck speed! This high-wire work for developing bands is an intense ride from start to finish! Easy 8th-note patterns create an anchor-point for this work while a clever use of percussion equipment, upper brass "honks", and cool harmonic tension transport you behind directly behind the wheel!
Estimated dispatch 7-14 working days
-
£113.80Ballade fra Fantasistykker for Piano op. 36 - Agathe Backer-Grøndahl
Agathe Backer Grndahl's 'Ballade' can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grndahl's production, several of these are grouped under the term 'fantasy pieces'. There are six collections with a total of 48 fantasy pieces on her opus list and 'Ballade' is from the first of these (Op. 36), published in 1895. 'Ballade' is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material.The arrangement is close to Backer Grndahl's original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands.
Estimated dispatch 7-14 working days
-
£123.40Laling fr B
Laling is a Norwegian folktune from B.The arrangementet of the lullaby starts off with a calm atmosphere (like a dream). The dream develops into a more funky section, until it calms down again.Laling was commissioned by Korpsnett Norge, for their project "Arvegods" (Heritage), based on Norwegian folk tunes.
Estimated dispatch 7-14 working days
-
£60.99Songs of the Sea
Sea shanties have long been a source of tuneful melodies and rollicking rhythms. Johnnie's setting for band features a wide variety of styles and textures, and is a great choice for contest or festival. Included are traditional folk melodies from The Drunken Sailor, The Bonnie Ship the Diamond, Rolling Down to Old Maui, and Wellerman.
Estimated dispatch 7-14 working days
-
£118.99North Hills Fantasy - Philip Sparke
North Hills Fantasy was commissioned by the North Hills High School Bands, Pittsburgh, Pennsylvania (director: Len Lavelle) as part of a commissioning programme that has run since 1965 - the longest of its kind in the USA. The work opens with a reflective, unaccompanied solo for alto saxophone which develops into a chorale for horns and saxes. This is taken up by the trumpets and subsides to a change of key and mood, with highly decorated folk-like solos for clarinet, bassoon and saxes. These solos build to a climax for full band, which heralds a triumphant return of the horn chorale, accompanied by florid woodwind figuration. But the mood soon winds down; fragments of earlier melodies return calmly to peacefully close the work.
Estimated dispatch 7-14 working days
-
£78.50Nostradamus - Concert Band Set - Otto M. Schwarz
Nostradamus was one of humankind's greatest prophets. Many of his coded prophecies proved true. He lived at the time of the inquisition, and his predictions and medical therapies as a physician made him face consequences from the church. After he had been forced to flee several times and had lost his family to the plague, he devoted himself to clairvoyance. He wrote down many events in history in coded predictions. Although there is probably more than one possible way of interpretation, in our world, Nostradamus is still considered to be a unique personality. Whether he is degraded to a charlatan or turned into a myth, he surely has moved humankind with his prophecies. Otto M. Schwarz, soundtrack composer since 2001, wrote a cinematographic work about this man, who is probably the best-known prophet of the last 1000 years.
Estimated dispatch 7-14 working days
-
£47.50The Magic Mirror - Robert Buckley
Looking at a perfectly still body of water, images appear right side up and upside down at the same time. The Magic Mirror creates this illusion with upper and lower instrument groups moving in contrary motion. Effective even for beginners, this piece sounds more advanced than it is, and everyone gets a chance to play melody! The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.
Estimated dispatch 7-14 working days
-
£57.50Between Earth and Sky - Michael Oare
Myths and legends of dragons have stirred our imaginations down through the ages. Between Earth and Sky is a programmatic work opening with mystical strains and haunting melodies. The pace quickens as our beast takes flight and soars over the countryside; musically propelled by a driving 3/4 pulse and powerful thematic statements. All beautifully paced with variations in textures and dynamics, this is an effective and appealing work for young players.
Estimated dispatch 7-14 working days
-
£391.20Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
-
£67.95Waltzing Matilda - Randy Navarre
This is the unofficial National Anthem of Australia. You hear it in movies, documentaries, and any time there is a mention of the land Down Under. It is a great song on its own, telling the story of the traveling migrant through the Outback. This is a very easy version that may be played along with the Grade 3 version by Randy Navarre (N300161). If you have an event to combine young musicians with a community or more advanced band, they may play together in this ideal composition. 1st trumpet's highest note is C. Only the 1st clarinets cross the break.
Estimated dispatch 7-14 working days
View Music