Results
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£38.50The Magic Mirror - Robert Buckley
Looking at a perfectly still body of water, images appear right side up and upside down at the same time. The Magic Mirror creates this illusion with upper and lower instrument groups moving in contrary motion. Effective even for beginners, this piece sounds more advanced than it is, and everyone gets a chance to play melody! The First Concepts Series features simplified instrumentations, unison bass lines, optional advanced snare drum parts, and optional piano accompaniments.
Estimated dispatch 7-14 working days
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£57.50Between Earth and Sky - Michael Oare
Myths and legends of dragons have stirred our imaginations down through the ages. Between Earth and Sky is a programmatic work opening with mystical strains and haunting melodies. The pace quickens as our beast takes flight and soars over the countryside; musically propelled by a driving 3/4 pulse and powerful thematic statements. All beautifully paced with variations in textures and dynamics, this is an effective and appealing work for young players.
Estimated dispatch 7-14 working days
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£344.30Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£67.95Waltzing Matilda - Randy Navarre
This is the unofficial National Anthem of Australia. You hear it in movies, documentaries, and any time there is a mention of the land Down Under. It is a great song on its own, telling the story of the traveling migrant through the Outback. This is a very easy version that may be played along with the Grade 3 version by Randy Navarre (N300161). If you have an event to combine young musicians with a community or more advanced band, they may play together in this ideal composition. 1st trumpet's highest note is C. Only the 1st clarinets cross the break.
Estimated dispatch 7-14 working days
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£48.95We Be Jammin - Steve Hodges
Here is an opportunity for the young band to experience elements of reggae music. Percussion and bass sections lay down a strong groove while woodwinds and brass add characteristic off-beat accompaniment patterns and alaid-back melody. A great teaching tool to introduce this style of music.
Estimated dispatch 7-14 working days
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£72.99To Seek the Glorious - Paul Murtha
This expansive overture for band takes the listener and performer on a varied path of moods and styles. The opening portrays the start of a new day, full of wonder and promise. The second section represents curiosity in the world and paraphrases the hymn On Eagle's Wings. A lyric section follows featuring a solo for trumpet. The next section (The Glorious) is dynamic and powerful in nature before the piece winds down to a quiet closing section with a setting of Bach's Sleepers Wake. Dur: c. 7:40 (MusicWorks)
Estimated dispatch 7-14 working days
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£94.99Kool & the Gang on Stage
Kool & the Gang became very popular globally, and they remain today, one of the best funk and soul bands in the history of pop music.Gilbert Tinner made a medley for smaller and young bands containing the smash hits Celebration, Get Down on It, and Ladies' Night. The instrumentation allows nearly any band to play this arrangement. Guaranteed to get your audience dancing!
Estimated dispatch 7-14 working days
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£70.50Appalachian Snowfall - B. Phillips
From their album The Christmas Attic, this driving, energetic Trans-Siberian Orchestra holiday treasure will bring the house down. Including the optional electric violin, guitar, and bass parts will only enhance the authenticity of your performance. The repetitive driving rhythms set the foundation for an exciting opener or closer for your holiday concert. (4:00)
Estimated dispatch 7-14 working days
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£82.95The Blue Ridge - Robert Sheldon
The Blue Ridge Mountains have a rich history of folk music handed down by the families of the settlers in this region. Four of these wonderful songs have been included in this setting for concert band: the spirited "Jack-a-Roe," the haunting "Come All Ye Fair and Tender Ladies," the very popular "Tom Dooley" (arranged here in a most unexpected manner), and finally, the beautiful "Barbara Allen." (6:15)
Estimated dispatch 7-14 working days
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£118.99Kool & the Gang Greatest Hits
Top music arranger, Gilbert Tinner has a great deal of expertise in all styles of entertainment music. He has shared the stage with many famous artists as a musician.This is a groovy arrangement of a few of the greatest hits of Kool and the Gang such as, Joanna, Get Down On It, Celebration and Ladies Night. Get your audience on their feet!
Estimated dispatch 7-14 working days
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