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£195.00Star Wars Trilogy - John Williams
John Williams has rightfully earned a place in the hearts of all film lovers with his numerous brilliant scores to some of the best movies of the last half century. Capable of writing music ranging from tender, intimate moods to galactic battles,Williams carefully constructs each score as a separate, freestanding entity, not just background snippets. The selections in this exciting collection include "The Imperial March (Darth Vader Theme)," "Princess Leias Theme," "The Battle in theForest," "Yodas Theme," and "Star Wars (Main Theme)."
Estimated dispatch 7-14 working days
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£122.50Golden Winds - Philip Sparke
This contrasting work builds up twice from quiet relaxation or meditative calm to a climax for the entire ensemble, before the main section, a rhythmic vivo, begins. Golden Winds ensures truly precious moments in your concert right up to the last note!
Estimated dispatch 7-14 working days
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£54.99
Rogue River Rhapsody - David Shaffer
An excellent concert piece for very young featuring tempo and style changes making it a perfect teaching tool as well. Also includes an optional keyboard part. Very strong from the first note to the last.
Estimated dispatch 7-14 working days
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£53.99Above and Beyond - James Swearingen
If you're looking for an exciting opener, look no more. From the first measure to the last, you'll discover dramatic sounding melodies that are creatively scored against a background of bold rhythms and contemporary harmonies. This piece has it all and is certain to be popular for many years to come. A guaranteed winner!
Estimated dispatch 7-14 working days
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£102.99Surfin' FM - The Beach Boys
In 1961, the three Beach Boys brothers, Brian, Dennis and Carl, went straight to the top of the charts with their first single called "Surfin'". By 1966, the Beach Boys were even more popular that The Beatles thanks to the single "Good Vibrations". Juri Briat has made an excellent medley of the songs "Surfin USA", "I Get Around", "Barbara-Ann" and last but not least "Good Vibrations".
Estimated dispatch 7-14 working days
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£109.99Showtime ! - Sven Van Calster
In this piece, which consists of four contrasting sections in which doubling of parts make it suitable for a wide range of bands. The first part is a kind of musical appetizer which has a heavy disco beat while the second part is a romantic ballad. The third part is inspired by an Irish dance and the last part is a variation of the first part with a spectacular ending. This work makes an ideal challenge for dynamic and young bands.
Estimated dispatch 7-14 working days
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£102.99
Adios Havana - Willy Fransen
Cuba is one of the word's few remaining communist countries and has a turbulent history behind it, in no small part due to the charismatic Fidel Castro, who has steered a more Western course in the last few years. Willy Fransen wrote a musical travel piece about the real Havana with illustrations from the local scene, enjoying a daiquiri while a live band plays in the Buena Vista Social Club.
Estimated dispatch 7-14 working days
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£141.99
Nausicaa Requiem - Joe Hisaishi
From Anime master Hayao Miyazaki's career take-off point,Nausica of the Valley of the Wind(1984) captures the last scene of Nausica coming back alive after being flown away by swarms of Ohmu. It's directly arranged from the film sound track but has been adapted for band as needed. The medium grade level allows many groups to enjoy this arrangement.
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£209.99Machu Picchu - Satoshi Yagisawa
Commissioned for the Ensemble Liberte Wind Orchestra, Kawaguchi City, 30th Anniversary ConcertExplaining the significance of Machu Picchu begins with remembering the Incan empire at its zenith, and its tragic encounter with the Spanish conquistadors. The great 16th century empire that unified most of Andean South America had as its capital the golden city of Cuzco. Irresistible to Francisco Pizarro, while stripping the city of massive quantities of gold, in 1533 he also destroyed Cuzco's Sun Temple, shrine of the founding deity of the Incan civilization.While that act symbolized the end of the great empire, 378 years later an archeologist from Yale University, Hiram Bingham, rediscovered "Machu Picchu", a glorious mountaintop Incan city that had escaped the attention of the invaders. At the central high point of the city stands its most important shrine, the Intihuatana, or "hitching post of the sun", a column of stone rising from a block of granite the size of a grand piano, where a priest would "tie the sun to the stone" at winter solstice to insure its seasonal return. Finding the last remaining Sun Temple of a great city inspired the belief that perhaps the royal lineage stole away to this holy place during Pizarro's conquest.After considering these remarkable ideas I wished to musically describe that magnificent citadel and trace some of the mysteries sealed in Machu Picchu's past. Three principal ideas dominate the piece: 1) the shimmering golden city of Cuzco set in the dramatic scenery of the Andes, 2) the destructiveness of violent invasion, and 3) the re-emergence of Incan glory as the City in the Sky again reached for the sun.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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