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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£105.80Magellano - Andrea Moncalvo
This composition was written on the occasion of the 500th anniversary of the death of Ferdinand Magellan, a Portuguese explorer (1480 - 1521), who embarked on what would have become the first circumnavigation of the globe. Unfortunately, he did not complete it because, in 1521, he was killed in the region that is today the Philippines. This adventure triggered various images in the author's mind; evocations that the composer elaborated in this piece, which is in a tripartite form (A B A) and is introduced and concluded by a solemn fanfare evoking the departure of the expedition, consisting of 5 ships with a total of 234 crewmen. The first part (Allegro) presents a main theme with a cantabile character that describes the fleet that, intrepid, plows the ocean. This initial melody is then contrasted by a more rhythmic and syncopated theme in a minor key, which instead refers to the indigenous peoples they have encountered during the journey. The central section (Adagio) is an oasis of reflection because, as in other great adventures, this too has tragic aspects: mutinies, shipwrecks, clashes with indigenous peoples, up to the disappearance of those who had desired and planned this enterprise. The last part proposes the themes of the first section but in reverse order, to describe the return to the homeland. The solemn fanfare welcomes the arrival of the Victoria, the only surviving ship with only 18 men on board, which returns to the port of departure after completing the circumnavigation of the earth in 2 years, 11 months, and 17 days.
Estimated dispatch 7-14 working days
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£129.99Canzona di Bacco - Oliver Waespi
This piece comprises a series of variations on the melody of "Ami, dans cette vie" ("Friend, in this life), an 18th century French song. Like the famous poem "Canzona di Bacco" by Lorenzo de' Medici, this song invites the listener to enjoy life, friendships, love and wine while there is still time to do so. The epicurean nature of this text contrasts with a deeply melancholic melody, a contradiction which is explored in the present work. After a somewhat turbulent first part, the original melody is revealed in a serene and pensive middle section which highlights several soloists. In the last movement, the atmosphere is transformed to become increasingly exuberant, like a Bacchus incantation. The piece concludes with a final dazzling statement of the original theme. Canzona di Bacco was commissioned by the Vesoul Municipal Wind Band, who premiered the work on 24 June 2022 at the Edwige Feuillre Theatre in Vesoul (France), under the direction of Mathieu Anguenot.
Estimated dispatch 7-14 working days
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£137.70Mammoth Mountain Suite - Haakon Esplo
Mammoths were a family of elephants that, with one exception, died out at the end of the last ice age. Their closest living relative is the Asian elephant. In many places in the world one can find mammoth remains. In Norway (especially in Gudbrandsdalen), 20 discoveries of teeth and skeletal remains have been made after mammoths that lived here between 40,000 and 50,000 years ago. On cave paintings and carvings you can see many pictures of mammoths with other animals. Pictures of killed mammoths have also been found with humans. Mammoth Moutain Suite describes a bunch of hunters looking for mammoths. Imagine the majestic animals, what it felt like to see the herd in themountains and what it sounded like when the 6 ton heavy and 3.5 meter tall mammoths were on the run.
Estimated dispatch 7-14 working days
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£109.99Austrian Fantasy - Gerald Oswald
Modern Austria has been shaped by various historic events over the last 100 years. In his piece Austrian Fantasy, composer Gerald Oswald works various motifs of the three different Austrian national anthems of this period into the music. The anthems serve as a testament to the political culture of Austria, which has left its mark on the nation. A piece of Austrian history is shaped into this work.
Estimated dispatch 7-14 working days
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£109.99Slavonic Impressions - Roland Kernen
During a stay in Slavonia, Roland Kernen was overwhelmed by the beauty of this region between the Danube, Sava and Drava. The resulting composition does not depict the suffering experienced in the last few decades by this crisis-ridden region, buttells of the festivities along the Sava, the natural beauty of the Drava and lively atmosphere on the banks of the Danube.
Estimated dispatch 7-14 working days
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£52.99Solitude - Phillips
Imagine sitting in a canoe traveling down the peaceful river, blessed by the solitude of nature as the bow cuts quietly through the water. Lost in thoughts of comfort and peace, the solitude, that only nature can provide. Escaping the hustle and bustle of hurried lives to watch the deer maneuver through the woods and the birds fly through the air. In the last section, picture the majestic eagle soaring from the treetops as he makes his way out of sight. You, your students, and audience will enjoy the "Solitude" of this work.
Estimated dispatch 7-14 working days
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£58.50
Sea Trilogy - Elliot Del Borgo
An excellent new festival work from Elliot Del Borgo! Based on three songs inspired by the sea, it opens with exciting woodwind flourishes and an excellent use of percussion. The middle section is a beautiful setting of Eternal Father, Strong to Save that captures the essence of the piece while providing some interesting new harmonies. The last section is a fantasy on The Drunken Sailor that is quite effective and worthy of your utmost consideration.
Estimated dispatch 7-14 working days
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£58.50
Irish Festival - Quincy C. Hilliard
Quincy C. Hilliard uses two Irish folksongs as the inspiration for this new festival work. A drone opens the work which quickly moves to a simple, yet creative setting of The Last Rose of Summer. A slow, lyrical treatment of the same folk song serves as the middle section of the piece. The final section is based on The Rake of Mallow and makes use of ample percussion as the piece propels toward a powerful conclusion.
Estimated dispatch 7-14 working days
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