Results
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£53.00Intensity
Vigorous and robust, this powerful overture for young bands is solidly scored to help your band demand the attention of the audience from the first note to the last. The intensity is maintained throughout, and the percussion parts offer a variety of sounds. An excellent concert opener.
Estimated dispatch 12-14 working days
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£85.00
Der Aufstand - Gavin Higgins
Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare.Wind Band Grade: 6 (Professional and elite student and 'national' bands)Duration: 10 minutes
In stock: Estimated delivery 1-3 days
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£82.00King Karl King - Henry Fillmore
Originally written for a film (The Big Brass Band) that was never made, this terrific but little-known march turned out to be the last march that Fillmore would write. Unusually rich in harmony, it was not published in Fillmore's lifetime. He had asked that it be named after his friend and fellow march composer, Karl L. King, if the movie was not produced.
Estimated dispatch 12-14 working days
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£41.00Romulus
This forceful original is strong from the first note to the last! It's an intense piece, a style your young band will be sure to enjoy playing, which can only enhance their sound. A fine choice!
Estimated dispatch 12-14 working days
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£56.00Alpine March
A delightful German-style march with memorable tunes and full-sounding scoring that will make a young band shine. There is a classic fade-out at the end followed by a short forte in the last measure. Great fun to play, Alpine March will make an excellent contest warm-up. Duration: 2'30" Key: Bb Ranges: Trumpet - F; Horn - Bb; Trombone - F
Estimated dispatch 12-14 working days
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£44.00
Der Letzte Slawische Tanz - Juraj Filas
The Last Slavic Dance / La Dernire Danse Slave
Estimated dispatch 10-14 working days
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£115.00
Einsamer Hirte - James Last - John Glenesk Mortimer
The Lonely Sheperd / Le Berger Solitaire
Estimated dispatch 10-14 working days
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£106.00
Last Of The Wilds - Tuomas Holopainen - Jirka Kadlec
Estimated dispatch 10-14 working days
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£70.99
Save The Best For Last
Estimated dispatch 10-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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